Film, List, News, Opinion

OSCARS 2016

So, the Oscar’s are over for another year. The 88th Academy Awards, hosted by Chris Rock, was an eventful night filled with some the usual safe bets and surprises, but the night was owned by Leonardo DiCaprio, who finally brought home an Oscar, simultaneously breaking the hearts of GIF creator’s the world over.  

Rock was a strong host, hitting the ground running with an opening monologue that tackled the #OscarsSoWhite scandal that has dominated awards season head on, introducing the Academy as the “white people’s choice awards.”

Comedy has long been an effective means of exploring serious issues and Rock did so wonderfully. His speech was effective and well needed, addressing the nature of institutionalised racism and also tackling the calls that he himself resign as host, quipping that he didn’t want to “lose another job to Kevin Hart.”

But what about the actual awards? Here is the lowdown of the big wins from the night…

Best Picture:

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source: E Online

Winner: Spotlight

Nominated: The Martian, The Revenant, Room, Bridge of Spies, The Big Short, Brooklyn, Mad Max: Fury Road

Best Picture was a strong category this year and there have been various favourites over the course of the season, but it was Tom McCarthy’s Spotlight that came out on top.

The film is deserving of the top award – a sobering look at the true life child abuse scandal uncovered by the Boston Globe’s spotlight team in 2001. It would have been a shame to see a film that feels so undoubtedly important go home empty handed, and whilst more understated than some of the nominees – The Revenant and Mad Max: Fury Road being the obvious examples – the film packs an emotional gut punch.

I was holding out on futile hopes for underdog Brooklyn, my personal favourite from the nominees, but I don’t think there can be any real qualms about Spotlight’s deserved victory.

Best Actor:

Winner: Leonardo DiCaprio (The Revenant)

Nominated: Matt Damon (The Martian), Michael Fassbender (Steve Jobs), Eddie Redmayne (The Danish Girl), Bryan Cranston (Trumbo)

Could it really be anyone else? The six-time nominated Leonardo DiCaprio has been the hotly tipped favourite to win for months now, and his long-awaited win for his lead role in The Revenant delivered on the promise.

At the end of the day, he deserved it. He should have received one years ago, and The Revenant shows the actor take on yet another challenging role that required him to push himself more than ever before.

His speech was fantastic, a testament to the fact that DiCaprio genuinely seems to be a very humble man. From his shoutout to “my brother in this endeavour” Tom Hardy to the passionate conclusion where he homed in on the climate issues that got him interested in The Revenant, the speech was one of the highlights of the night.

The reception from the crowd spoke volumes – DiCaprio received a standing ovation when he was announced as the winner, and the camera showed the reactions of his comrades as he made his speech. Particularly lovely was the pride on Kate Winslet’s face and the pure unadulterated glee from Hardy.

Had it been another year, I believe Bryan Cranston could have been in with a real chance for his fabulous turn as Dalton Trumbo, but this year was all about DiCaprio, meaning that the strong performances from the other nominees have been somewhat lost in translation.

Best Actress:

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source: E Online

Winner: Brie Larson (Room)

Nominated: Cate Blanchett (Carol), Jennifer Lawrence (Joy), Charlotte Rampling (45 Years), Saoirse Ronan (Brooklyn)

Another fully deserving winner, Brie Larson was incredible in Room. Playing a young woman who was kidnapped as a teenager and has a child (Jacob Tremblay), fathered by her captor, that she attempts to shield from the horrors of their reality, Larson gave without a doubt one of the standout performances of the cinematic year.

Every actress gave a great performance, but it was Larson who stuck out as the most raw and emotional of the lot. Her speech was also hopelessly endearing, as is her cute friendship with young co-star Tremblay.

Best Supporting Actor:

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source: Forbes

Winner: Mark Rylance (Bridge of Spies)

Nominated: Christian Bale (The Big Short), Tom Hardy (The Revenant), Mark Ruffalo (Spotlight), Sylvester Stallone (Creed)

Probably one of the biggest surprises of the night (to me at least) was Mark Rylance scooping the Best Supporting Actor award in an insanely tough category that included Tom Hardy, Christian Bale and Mark Ruffalo.

Whilst I haven’t seen Bridge of Spies and am sure that Rylance gave a great performance, I can’t help but feel that the award is out of a sense of obligation that any film by Steven Spielberg should not only receive nominations but must win something.

Every actor in this category gave a performance that stood out in some way – Ruffalo and Hardy in particular really could easily have won – but the nostalgic choice would have been to honour Sylvester Stallone for his turn in Creed, 40 years on from his win for the original Rocky.

Stallone delivered his best performance in years and was genuinely as deserving of the award as any other nominee, and the romantic in me would have loved to see him take it home. Congratulations to Rylance, but I feel this may be a choice that will be looked back upon with befuddlement in the future.

Best Supporting Actress:

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source: Variety

Winner: Alicia Vikander (The Danish Girl)

Nominated: Jennifer Jason Leigh (The Hateful Eight), Rachel McAdams (Spotlight), Rooney Mara (Carol), Kate Winslet (Steve Jobs)

The Danish Girl really wasn’t that good, but without Alicia Vikander I am pretty sure it would be near unwatchable. The drone fest, which does no justice to the interesting characters it is based on, is such because of Tom Hooper’s uninspired direction, but Vikander is extremely strong as Gerda.

I still feel she should have been a contender for Best Actress as she is undoubtedly a main character, but she probably would not have been victorious in that category. Vikander brings nuance and emotion to her performance and the Oscar win is the perfect pay-off to what has been an incredible year for the actress (she also appeared in the critically acclaimed Ex Machina and fun caper The Man From U.N.C.L.E).

I would have liked to see Jennifer Jason Leigh get some love for what was a sensational turn in The Hateful Eight, but it is hard to begrudge Vikander’s thoroughly deserving win (even if the film itself isn’t great).

Best Adapted Screenplay:

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source: NY Times

Winner: The Big Short (Adam McKay and Charles Randolph)

Nominated: Brooklyn (Nick Hornby), Carol (Phyllis Nagy), The Martian (Drew Goddard), Room (Emma Donoghue)

The Big Short has been somewhat divisive, with many of the directorial choices McKay made being what some loved and others reviled about the film, but there aren’t many who can claim that it isn’t well written, condensing immensely complicated financial jargon and presenting it in an interesting way. McKay, who has been known for his comedy work until this point, used his acceptance speech to get political, saying:

“If you don’t want big money to control your government, don’t vote for candidates that take big money from banks, oil or weirdo billionaires.” 

Best Original Screenplay:

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source: CBS Local

Winner: Spotlight (Josh Singer and Tom McCarthy)

Nominated: Ex Machina (Alex Garland), Bridge of Spies (Matt Charman, Joel Coen, Ethan Coen), Inside Out (Josh Cooley, Pete Doctor, Meg LeFauve), Straight Outta Compton (Jonathan Herman, Andrea Berloff)

A well deserved winner, and one of Spotlight’s two wins of six nominations. The strength of the film lay in the writing – the very nature of investigative journalism made it a challenging story to bring to the screen and Singer and McCarthy crafted a script which communicated the story effectively without ever feeling like it was spoon feeding the audience.

The Revenant:

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source: The Verge

Nominations: 12

Wins: 3 – Best Actor, Best Director, Best Cinematography

Leading the pack with 12 nominations, The Revenant seemed like a sure-thing for winning plenty of awards, but the decision to grant Mad Max: Fury Road the majority of the technical categories meant that the film ended up only taking home three Oscars.

The three wins were fully deserving – Emmanuel Lubezki took home his third consecutive cinematography award following his work on Gravity and Birdman – and high profile. The lack of awards could also be down to the fact that the films Oscar campaign has mostly been focused on finally bagging DiCaprio his (fully deserved) award.

Alejandro G Inarritu won Best Director for the second year running, and whilst The Revenant may have failed to take home Best Picture there is no doubt that his dedication and attention to detail made him fully deserving of the statuette.

Mad Max: Fury Road:

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source: Metro

Nominations: 10

Wins: 6 – Best Costume Design, Best Make-Up and Hair Styling, Best Production Design, Best Editing, Best Sound Mixing, Best Sound Editing

In terms of number of awards, Mad Max: Fury Road was the winner of the night after receiving a surprising 10 nominations and scooping up six of them. It is great to see the Academy open its mind to the action genre, and whilst I haven’t seen the film it has been lauded as a genre best, so it is fitting that it did so well.

Some will be disappointed that director George Miller didn’t scoop Best Director for his meticulous work, but the gratitude and respect bestowed upon him in the acceptance speeches for each award made it clear how revered he is amongst those who made the film. With such a strong Best Director batch this year it was always going to be difficult to secure a win, but the nomination should not be taken lightly considering worthy candidates such as Todd Hayes didn’t make the cut.

A particular highlight was Miller’s wife Margaret Sevel receiving the Best Editing award and whilst the film may not have scooped any of the bigger awards, it is a positive step to see that the Academy did not ignore a summer blockbuster in the way it has tended to in the past.

Best Original Song:

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source: The Guardian

Winner: Writing’s On The Wall – Spectre (Sam Smith and Jimmy Napes)

While the latest Bond theme wasn’t welcomed by all fans, it shot to the top of the UK charts – a first for a Bond song – but it is hard not to find Sam Smith’s acceptance, which he dedicated to the LGBT community, endearing.

That said, Writing’s On The Wall is a decidedly weak entry into the Bond repertoire (which was going to be the case for anything that came after Adele and Skyfall), so whilst the win was unsurprising it would be a stretch to say it was deserving.

Empty Handed…

The Martian, Carol, Star Wars: The Force AwakensBrooklyn, SicarioSteve Jobs were just some of the films to go home empty handed in what has been, for better or worse, an extremely strong year in cinema. Until next year!

What did you think of the Oscars 2016? Share your comments below! 

 

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OSCARS 2016: WHO WILL TAKE HOME BEST PICTURE?

The Best Picture race is closer than ever this year. The 88th Academy Awards will take place on the 28th of February, hosted by Chris Rock, and it is one of the tightest competitions in years.

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Oscars.go.com

From surprise nominations (Mad Max – the Academy very rarely acknowledges action) to controversial snubs (the #OscarsSoWhite scandal, but also Todd Haynes’ Carol among others), it’s been a dramatic year, but which film is going to be crowned Best Picture?

With just over two weeks to go, a clear cut winner has made usually itself clear by now, but with the bookies favourite changing like the weather, it’s hard to predict who will come out on top.

Here are the nominees and a breakdown of their chances…

THE BIG SHORT:

Directed: Adam McKay

Starring: Christian Bale, Steve Carell, Ryan Gosling, Brad Pitt

Other nominations: 4 – Best Director, Best Supporting Actor, Best Adapted Screenplay, Best Film Editing

Bookies odds: 11/10

Adam McKay’s take on the housing crisis is the current favourite to win after scooping the Best Picture prize at the PGA Awards.

The PGA has predicted the Best Picture Oscar winner for the past eight years, so things are looking pretty promising for the film, which was previously an underdog.

It’s the sort of film that falls into the ‘love it or hate it’ category, but I think it is wholly deserving of its nomination.

McKay, best known for his comedy, brings a surprising amount of dramatic heft, particularly from Carrell, who is the closest the film has to a moral compass – this is a film about guys who made money off of the biggest financial crisis since the Great Depression, remember.

Will it win? It really is hard to tell. The PGA win is strongly in its favour – films such as Birdman (2015) and The Hurt Locker (2010) only became front-runners (and eventual Oscar winners) after the PGA’s after all.

The Big Short would be a perfectly deserving winner, but whilst it has more chance than some of the true underdogs, I wouldn’t be surprised if it ultimately goes home with one prize in the form of Best Editing.

Read my review of The Big Short here.

BRIDGE OF SPIES:

Directed: Steven Spielberg

Starring: Tom Hanks, Mark Rylance

Other nominations: 5 – Best Original Screenplay, Best Supporting Actor, Best Original Score, Best Production Design, Best Sound Mixing

Bookies odds: 125/1

It feels like Bridge of Spies has almost slipped through the cracks in the frenzy of this years Oscar buzz.

Directed by the living legend that was Spielberg, co-written by the Coen Brothers and starring America’s favourite Everyman Tom Hanks, on paper the film seems like a ready-made classic, instead it is a good, solid entry into Spielberg’s filmography, but it fails to reach the heights of his most beloved work.

It is basically a given that anything Spielberg makes will scoop up a few nominations – he is, as I said, a living legend, but the chances of Bridge of Spies taking home the Best Picture prize are next to non-existent.

Other than Rylance’s nomination in the Best Supporting Actor category, the film hasn’t picked up nominations in any of the big hitters – even Tom Hanks failed to get a nod due to the fierce competition for Best Actor.

That said, never underestimate the Academy’s ability to get it wrong – Crash robbed Brokeback Mountain of the prize back in 2005 in one of the more recent and dramatic examples – so never say never, especially with a Spielberg film.

BROOKLYN:

Directed: John Crowley

Starring: Saoirse Ronan, Emory Cohen, Domhnall Gleeson

Other nominations: 2 – Best Actress, Best Adapted Screenplay

Bookies odds: 100/1

If it were up to me, Brooklyn would take home Best Picture. It would also be nominated for a lot more than just three Oscars (three? come on!). Without a doubt my favourite film in the race, Brooklyn is a beautiful period drama about an Irish immigrant.

Everything about the film is subtle, from Ronan’s pitch perfect central performance to the narrative, and it won’t be for everyone, but I think it is an understated masterpiece.

But enough gushing, is it going to win Best Picture? Alas, it is very much in the underdog position at the moment. The film opened to critical acclaim and Ronan has received a fair few awards for her work, but the buzz has somewhat died since.

Pair that with the fact that it only received three nominations, which didn’t include Best Director, and Brooklyn’s chances are pretty low.

Hopefully it’ll take home one of its other nominations, with Ronan and screen-writer Nick Hornby both fully deserving, plus it would be a real shame to see the film go home empty handed.

Read my review of Brooklyn here.

MAD MAX: FURY ROAD

Directed: George Miller

Starring: Tom Hardy, Charlize Theron, Nicholas Hoult

Other nominations: 9 – Best Director, Best Cinematography, Best Film Editing, Best Production Design, Best Costume Design, Best Makeup and Hairstyling, Best Visual Effects, Best Sound Mixing, Best Sound Editing

Bookies odds: 40/1

With 10 nominations, Mad Max: Fury Road was without a doubt the biggest shock when the nominations were announced last month.

The Academy is notorious for snubbing blockbusters and action flicks, meaning that George Miller’s latest installment in the Mad Max franchise, whilst garnering critical acclaim, was almost sure to be excluded from the Best Picture line up.

It is great to see the inclusion of the film on the list, and it has cleaned up in technical nominations, which seems fair considering it has been placed on a pedestal by many as one of the best action films ever committed to the screen.

I can’t really comment from a personal perspective, having never seen the film or any of the others in the Mad Max franchise, but I guess that the Academy probably won’t go so far as to award it Best Picture – they probably feel they have ‘done enough’ by nominating it.

However it is a pretty open race this year, and it wouldn’t be a huge surprise for a film with so many other nominations take home the big prize, though I’m willing to bet it’ll split the technical prizes with The Revenant.

THE MARTIAN:

Directed: Ridley Scott

Starring: Matt Damon, Jessica Chastain

Other nominations: 6 – Best Actor, Best Adapted Screenplay, Best Visual Effects, Best Production Design, Best Sound Editing, Best Sound Mixing

Bookies odds: 33/1

The Academy may be depressingly predictable in many ways (here’s Kate Winslet explaining how in Extras), but they have surprised everyone by including not one but two blockbusters in the 2016 Best Picture line up.

The Martian is a glorious return to form for Scott after a few middling flicks, and it is fantastic to see that the 78 year old veteran filmmaker is still capable of making excellent films.

Matt Damon carries the film, which tells the story of an astronaut who is assumed dead and left on Mars, and is fully deserving of his Best Actor nomination, but the real star of The Martian is Scott’s direction.

His depiction of Mars is a visual treat, and he veers away from traditional scoring and employs a disco soundtrack, which only makes the film stand out more.

If it were any other year, The Martian would be a real contender across the board, but with the technical mastery of The Revenant and Mad Max: Fury Road, as well as a packed Best Actor roster, the chances of any big wins are significantly reduced.

Here’s hoping the aforementioned films won’t totally dominate and The Martian will take home a statuette – though I’m pretty sure it won’t be Best Picture.

THE REVENANT:

Directed: Alejandro G. Inarritu

Starring: Leonardo DiCaprio, Tom Hardy, Domnhall Gleeson, Will Poulter

Other nominations: 11 – Best Director, Best Actor, Best Supporting Actor, Best Cinematography, Best Production Design, Best Costume Design, Best Sound Editing, Best Sound Mixing, Best Makeup and Hairstyling, Best Visual Effects, Best Film Editing

Bookies odds: 4/1

It was going to take something pretty bad to tarnish Alejandro G. Inarritu’s reputation after he won Best Picture and Best Director for his work on the critically adored Bridman at last years ceremony.

He has arguably topped himself with The Revenant, an intense, technical masterpiece in film-making. There is a real danger of the director becoming over-hyped, but credit where credit is due – The Revenant is excellent.

The film scooped the most nominations with a total of 12, so the chances of it taking home a lot of them are almost a given. It’s long been one of the favourites to win, but with such a strong selection it won’t be an easy sway.

Leonardo DiCaprio also looks set to finally win Best Actor, which he deserves, but which will also spell the sad end of some pretty funny GIFS and memes (hence why I had to include some of my favourites here, we could be running out of time people).

*Brief interlude for funny Leonardo DiCaprio GIFS and memes*

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An article by The Independent is also suggesting that Tom Hardy’s lack of appearances in the films Oscar campaign may also be hurting the films chances – it’s idealistic to assume that the prize is based on artistic merit, after all.

Birdman also only took home four of its nine nominations last year, so there’s a chance the insane hype might fail to translate into Oscar wins.

The Revenant is one of the most likely candidates to take home Best Picture, with it’s real competition coming in the form of The Big Short and Spotlight.

ROOM:

Directed: Lenny Abrahamson

Starring: Brie Larson, Jacob Tremblay

Other nominations: 3 – Best Actress, Best Director, Best Adapted Screenplay

Bookies odds: 33/1

Room is utterly haunting – telling the story of a young woman who was abducted and is forced to live out her existence in a small room, with only her son, fathered by her captor, keeping her going – it is a far from an easy watch.

Larson is fantastic, anchoring the film and in a Best Actress worthy performance, but the film generally falls into the same category as Brooklyn in that it doesn’t have many nominations under its belt.

With multiple nominations comes increased momentum, and Room just doesn’t have that – it’s a great film that is hugely deserving of any plaudits, but that doesn’t mean it’s going to do well on Oscars night.

Also going against the film is that the nominations it does have are in extremely tough categories – Larson has a real chance with Best Actress, but so does Ronan (Brooklyn) and Cate Blanchett (Carol), meaning there is no clear cut favourite.

Room is the sort of film that could have done very well if it were a different year, but unfortunately for all those involved it’s 2016 and it’s probably going to be (arguably unfairly) overlooked.

SPOTLIGHT:

Directed: Tom McCarthy

Starring: Michael Keaton, Rachel McAdams, Mark Ruffalo, John Slattery

Other nominations: 5 – Best Supporting Actor, Best Supporting Actress, Best Director, Best Film Editing, Best Original Screenplay

Bookies odds: 6/5

Spotlight’s Oscar campaign has been a tale of highs and lows – it was a bit of a slow burner, but it slowly built up to becoming favourite to win, but then the hype died down and has been replaced by The Big Short.

The film, which focuses on the Boston Globe’s investigation into child molestation in the cities Catholic Church, has received critical acclaim for its ensemble cast and accurate portrayal of events.

I really enjoyed Spotlight, and I think the attention to detail McCarthy has put into recreating the story is impressive. I was also very taken with the cast, particularly Mark Ruffalo, who has been nominated in the Best Supporting Actor category, and Michael Keaton, who arguably also should have received a nomination.

If the awards had been held a month ago, Spotlight would almost certainly have scooped Best Picture. Now? I’m not so sure – It’s in my top three favourites to win alongside The Big Short and The Revenant, but whether it will come out top in the extremely close race will only become clear on the night.

Read my review of Spotlight here.

Which film do you think will take home the Best Picture Oscar this year? Let me know in the comments section!

Check out the trailers for the Best Picture nominees here:

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Film, List, Opinion

OSCARS 2016: ACTING PREDICTIONS

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The nominations are in! Yesterday saw the 2016 Academy Award nominations finally be announced ahead of the ceremony next month. There were plenty of sure bets, with The Revenant leading the pack at 12 nominations, but also some welcome surprises with Mad Max: Fury Road getting 10 nominations. Now that we can all be done speculating over who would be nominated, we can get onto speculating about who will win – here are my predictions for the acting categories…

Best Actor

Bryan Cranston Trumbo (1st nomination)

Matt DamonThe Martian (3rd acting nomination)

Leonardo DiCaprio – The Revenant (6th nomination)

Michael FassbenderSteve Jobs (2nd nomination)

Eddie RedmayneThe Danish Girl (2nd nomination)

Who will win? It’s a tough call between DiCaprio and Redmayne. All hilarious jokes aside, DiCaprio probably deserves it more as it looks like his work on The Revenant was another level, but The Danish Girl is as oscar-baiting as they come and that could see DiCaprio losing out for another year.

Best Actress:

Cate BlanchettCarol (7th nomination)

Brie LarsonRoom (1st nomination)

Jennifer LawrenceJoy (4th nomination)

Charlotte Rampling 45 Years (1st nomination)

Saoirse RonanBrooklyn (2nd nomination)

Who will win? I think Blanchett probably has this in the bag, especially given the fact that Carol has been snubbed for Best Picture. That said, it’s an extremely tough category and I could see any of them winning, but my bet is on her.

Best Supporting Actor:

Christian Bale The Big Short (3rd nomination)

Tom Hardy – The Revenant (1st nomination)

Mark RuffaloSpotlight (3rd nomination)

Sylvester StalloneCreed (2nd acting nomination)

Mark RylanceBridge of Spies (1st nomination)

Who will win? I’m pretty firmly in the belief that Hardy will take this one home, as The Revenant is all but guaranteed to sweep up at the awards next month, but I’m sure I’m not the only one who would love to see Stallone come out of nowhere to bag the prize (he did win the Golden Globe after all).

Best Supporting Actress:

Jennifer Jason LeighThe Hateful Eight (1st nomination)

Alicia Vikander – The Danish Girl (1st nomination)

Kate Winslet – Steve Jobs (7th nomination)

Rachel McAdams – Spotlight (1st nomination)

Rooney Mara – Carol (2nd nomination)

Who will win? I’m willing to bet Vikander, who frankly should have been up in the Best Actress section for her role in The Danish Girl, which was easily equal to Redmayne’s. Like Best Actress though this is an extremely tough category where they are all deserving, and in with a decent chance, of winning.

Who do you think will take home the Academy Awards next month? Let me know in the comments section!

 

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OSCARS 2016: ACTING NOMINEE PREDICTIONS:

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The Oscar race is well and truly underway, and movie fans are now being treated to some of the best that cinema has to offer between now and February 28th next year. The acting nominations are among the big hitters in terms of Academy Awards, and the Academy are going to have some extremely tough decisions on their hands next year in that area. Bearing in mind that the I have not seen a great deal of these films, I have compiled my current predictions for who will be nominated in the four big acting categories – Best Actor, Best Actress, Best Supporting Actor and Best Supporting Actress.

BEST ACTOR:

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THE FIVE:

  • Johnny Depp, Black Mass
  • Eddie Redmayne, The Danish Girl
  • Leonardo DiCaprio, The Revenant
  • Michael Fassbender, Steve Jobs
  • Tom Hanks, Bridge of Spies

WILDCARDS:

  • Tom Hardy, Legend
  • Ian McKellan, Mr. Holmes

This is an extremely strong category this year, and certainly the category that everyone will be talking about. The Academy are a big fan of a truse story, and this is very much looking like its going to be the main trend in the Best Actor nominations this year. Johnny Depp is already making waves for his performance of real-life gangster Whitey Bulger in Black Mass, which is out on Friday here in the UK. Depp has been accused with going for quirk over content in the past few years, and this has been lauded as a real return to form. Even just looking at the trailer, it is clearly a totally transformative role, and whilst the gangster genre is a hard one to nail I don’t think there are going to be many criticisms of Depp’s performance, making him a real contender for Best Actor.

Eddie Redmayne won in this category last year for his excellent turn as Stephen Hawking in The Theory of Everything, which was above all a real feat in physical acting. It could be two in a row for the British actor with Tom Hooper’s The Danish Girl seeing him take on the role of Lile Elbe, the first ever person to undertake gender reassignment surgery. This film has the Academy written all over it, and Redmayne stands a real chance at becoming only the third actor (after Spencer Tracy and Tom Hanks) to bring home the statue two years in a row.

Leonardo-DiCaprio-Oscar-2014Leonardo DiCaprio is being heavily tipped to finally get his Oscar with The Revenant. Directed by Alejandro Gonzalez Inarritu, the man behind last year’s Acadamy success story Birdman, the film tells the story of Hugh Glass, a man who survived being mauled by a bear in 1820’s Dakota Territory. The film is already expected to be a technical masterpiece, but will it also bring DiCaprio his fifth nomination? You have to root for him really, if they don’t give him an award soon they are going to end up giving him one for a mediocre film in years to come when they finally realise he was overlooked (a la Al Pacino in Scent of a Woman). The downside of a DiCaprio win? There won’t be anymore of those hilarious GIFs spreading across the internet (sorry Leo).

Steve Jobs wasn’t as much of a commercial success in the US as expected, but this shouldn’t affect Michael Fassbender’s chances of nabbing a nomination as the Apple founder and CEO Steve Jobs in Danny Boyle’s film of the same name. What he lacked in physical resemblance he more than made up for in nailing the complexity of Jobs’ character in a real warts-and-all fashion. He probably won’t win, but a nomination is surely on the horizon.

I am yet to see Bridge of Spies, but there is pretty much no doubt in anyone’s mind that: a) it will be great; b) it will be nominated for a lot of awards. It has some of the best talent in Hollywood behind it after all, with Steven Spielberg in the director’s chair, the Cohen Brothers with writing credits, and Tom Hanks in the lead role.  If that’s not a recipe for awards gold I don’t know what is, and I think Hanks is all but guaranteed a nomination. He has been nominated five times before, winning twice in the early 90’s for Philadelphia and Forrest Gump, and Bridge of Spies ticks a lot of Academy friendly boxes, but with such a strong Best Actor category this year anything could happen.

PicMonkey CollageDue to such a strong category, there are a few performances that have an outside chance of getting a nomination. I haven’t totally ruled out Matt Damon in The Martian – a great performance from a very popular actor. The Academy does appear to take commercial success into account in some cases – could we see Damon toppling Fassbender if they base it on the Box Office?  Tom Hardy in Legend could be in with an outside chance, though it would seem the odds may be stacked against his heavyweight performance. Hardy took on the double role of the Kray twins, but I think if it came to an Academy nomination his more restrained turn as Reggie could be in with a chance. Legend is another example of the busy and difficult gangster genre, and its very distinct sense of Britishness could see it remain on the outskirts come the Oscars. Sir Ian McKellan also delivered an excellent performance as an ageing Sherlock Holmes in Mr.Holmes, though the films early release date and understated nature could see it getting overlooked in a very flashy category.

BEST ACTRESS:

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THE FIVE:

  • Jennifer Lawrence, Joy
  • Saorise Ronan, Brooklyn
  • Cate Blanchett, Carol
  • Carey Mulligan, Suffragette
  • Maggie Smith, The Lady in the Van

WILDCARDS:

  • Meryl Streep, Ricki and the Flash
  • Melissa McCarthy, Spy

Best Actress is a great category this year, with a range of excellent performances to choose from. Jennifer Lawrence has just become the highest paid actress in the world, and she has also been nominated two years in a row, winning in 2014 for Silver Lining’s Playbook, and her hot streak looks set to continue with her latest Oscar effort, Joy. Joy sees her reunite for a third time with director David O Russell to chart the life of Joy Mangano, inventor of the Miracle Mop. The film isn’t out yet but Lawrence is almost guaranteed to make it a hat trick with a third nomination.

Brooklyn has been receiving excellent reviews, with the majority of the praise being aimed at the performance of Saoirse Ronan, who plays the lead role of an Irish girl who emigrates to America. The film is an understated masterpiece, and Ronan deserves all the praise she can get for her work, making this nomination another pretty safe bet. The Irish actress was nominated in the supporting actress back in 2007 for Atonement, aged just 13 at the time, and her transition into adult roles is awards-worthy indeed.

Cate Blanchett is one of those actresses that is so consistently good that it is almost taken for granted. She is being heavily tipped for a nomination for her role as the titular Carol, in the film based on Patricia Highsmith’s novel. She is already a six time nominee and two time winner – winning in the Supporting Actress category for The Aviator in 2004, and bagging Best Actress for her sensational turn in Woody Allen’s Blue Jasmine in 2013. Carol is out in the UK on Friday, but Blanchett’s impressive CV already suggest that she will be a main contender come February.

Suffragette is the kind of film I’m surprised hasn’t been made before now – a look at the struggle in the UK as women fought for the vote. It featured an excellent cast, including Helena Bohem Carter and Meryl Streep (in hardly more than a cameo, granted), but at the heart of it all was Carey Mulligan, who plays a young working class wife and mother that gets swept up by the cause.  It’s going to be a tough category this year, but I think Mulligan has a real chance at being nominated in this undeniably important film.

The Academy, or perhaps Hollywood as a whole, can be a real ageist old bunch, but I still think that Dame Maggie Smith is a real contender this year for her fantastic turn in The Lady in the Van. It’s like Suffragette in that it’s all very British, but it has a charm that will still be felt across the pond. This isn’t as strong a contender as the others, but that is not down to the acting in any way. Smith is tremendous, bringing her huge talent and underrated comic timing to the fore.

PicMonkey Collage5This is another extremely strong category, but it has been an big year for strong female performances and there are a few excellent ones that might nab an unexpected nomination. Ricki and the Flash was a really bad movie, but the Academy (along with the world) love its star, Meryl Streep (NINETEEN nominations, more than anyone else ever), and she has been nominated for less than stellar films before with August: Osage County, so don’t count her out of the running just yet. The Academy has never been particularly rewarding of comedy, so it would be a surprise to see the nonetheless deserving Melissa McCarthy or Amy Schumer bag nominations for Spy and Trainwreck respectively. Never say never though – McCarthy in particular is becoming a real Hollywood success story, and Spy was a fantastic revamp of both the dated spy format and spoof genre, so a surprise nomination is not totally out of the question. She was also nominated in the Supporting Actress category for her equally hilarious turn in 2011’s Bridesmaids, showing that even the Academy can’t turn its nose up at truly excellent comedy.

BEST SUPPORTING ACTRESS:

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THE FIVE:

  • Rooney Mara, Carol
  • Alicia Vinakaner, The Danish Girl
  • Kate Winslet, Steve Jobs
  • Marion Cotillard, Macbeth
  • Jane Fonda, Youth

WILDCARDS:

  • Jennifer Jason Leigh, The Hateful Eight
  • Julie Walter, Brooklyn

PicMonkey Collage6Rooney Mara is making real waves for her performance in Carol alongside Cate Blanchett. With Blanchett being the stalwart that she is, it is no small praise that Mara apparently matches the leads talent in the film about a love between two women. She was nominated in the Best Actress category in 2011 for David Fincher’s The Girl With the Dragon Tattoo, but lost out to Natalie Portman in Black Swan. This could be Mara’s year, with Carol receiving critical adoration that looks set to carry the film through to a successful awards season.

This post has already detailed the fact that The Danish Girl is serious awards bait, and Alicia Vinakaner looks set to be a real contender in the Supporting Actress category. She plays the wife of Eddie Redmayne’s character and it is sure to be a very engaging and complex role. It’s the type of thing that the Academy eats up and a non-nomination for Vinakaner would be a shocking game changer.

Kate Winslet looks like the only other chance Steve Jobs’ has in terms of acting nominations. Whilst the film boasts excellent performances from the likes of Seth Rogen and Jeff Daniels, they are arguably not prominent enough to be real contenders in the Supporting Actor category. Winslet is on excellent form as Jobs’ assistant and confidant Joanna Hoffman, providing a voice of reason to the visionaries tunnel vision. No stranger to the Academy – in 2008 she won Best Actress for The Reader, and in the process became the youngest actress to receive six nominations (aged 33), and it is looking relatively likely that she will bring it up to seven next year.

Macbeth was a stunning film. The refusal to deviate from the original Shakespearian script did of course make it quite hard to follow, but it still received significant attention from critics, and rightly so. French actress Marion Cotillard was an excellent Lady Macbeth, matching Michael Fassbender’s performance as the murderous king to a tee. Fassbender was excellent as Macbeth but his nomination for Steve Jobs is a much surer bet, and it is difficult to decide if Cotillard would fall into lead or supporting role. I think it is more likely that, if nominated, it will be in Supporting Actress. This one is 50/50 however, as there is a good chance that her excellent performance may go overlooked.

I haven’t seen Youth, the drama starring British acting legend Michael Caine, but I have heard nothing but good things. One of the main points of praise has been Jane Fonda’s supporting role, and I think there is a fair chance that she, an American legend herself, could be appearing on the list of nominees. She has been nominated seven times before, winning twice in the 1970’s, and it would be great to see her make a return to the Academy with her first nomination since 1986.

Supporting roles are a harder category to define in general, and it is therefore harder to pinpoint who might be heading for nomination – a role too big and it might not make the supporting category but also be too small for the main award, too small and it can’t justify a nomination. I believe (and hope) that Julie Walters may still be in with a chance for her small role in Brooklyn, where she provided the film with a whole lot of heart and some sweet comic relief. However, it does run the significant risk of being too small of a role, so I won’t be holding my breath over this one too much. Jennifer Jason Leigh could make a surprise nomination for her role in Quentin Tarantino’s upcoming western, The Hateful Eight. She is the only woman amidst the titular eight, and with a crowded primary cast it is still yet to be seen how prominent of a role she will really play, so this one is still very much up in the air. It’s also worth noting that the Academy have been proven to be uncomfortable with Tarantino’s particular brand of gloriously violent film-making, with his 1994 masterpiece Pulp Fiction failing to win Best Picture, which doesn’t bode well for Jason Leigh bagging a nomination.

BEST SUPPORTING ACTOR:

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THE FIVE:

  • Tom Hardy, The Revenant
  • Robert DeNiro, Joy
  • Bradley Cooper, Joy
  • Benicio Del Toro, Sicario
  • Mark Ruffalo, Spotlight

WILDCARDS:

  • Joel Edgerton, Black Mass
  • Sylvester Stallone, Creed

Tom Hardy is in with much more of a chance at a supporting nomination for his role in The Revenant. Hardy is known for his massive commitment to his roles, and it is sure to payoff in a film of such intense nature.

David O Russell really loves the Jennifer Lawrence/Robert DeNiro/Bradley Cooper trio, and the Academy seems to also. Both DeNiro and Cooper are set to appear in Joy, and if the past is anything to go by they are probably both in with a pretty decent chance of nomination. DeNiro is a Hollywood heavyweight, having appeared in some of the best films ever made, and now has the sort of untouchable appeal that is also held by the likes of Meryl Streep, whilst Cooper has been nominated the past three years in a row and, like Lawrence, is on a hot streak that is showing no signs of ending anytime soon.

Benicio Del Toro has received high praise for his role in the tense cartel thriller Sicario, and it looks like he may bag himself a nomination. He won an Oscar back in 2000 for his role in Traffic, which was also a crime thriller, and the genre seems to be the actors forte.

Spotlight recieved a limited release in the US earlier this month and has already been met with critical acclaim. It has an ensemble cast with no clear lead, but Mark Ruffalo has been singled out by several critics as one of the films many highlights. Ruffalo has been nominated twice before, and also just seems like such a nice guy that I think he has pretty strong chances.

PicMonkey Collage7It’s a hard one to call, but Joel Edgerton may be in with a chance for his role in Black Mass. The actor has made an impression this year with his directorial debut in The Gift, where he also showcased his impressive acting prowess. Whether he will manage a nomination from what the trailers are making to look like very much Depp’s film is yet to be seen. Spotlight is also getting a great deal of attention, and Michael Keaton may get a nomination in his role after missing out on Best Actor to Eddie Redmayne last year. He was nominated for his spectacular lead in Birdman, so could he get a consolation supporting nomination this year? The Rocky franchise, which was put to bed in 2006 with Rocky Balboa, is being passed over to Michael Jordan with Creed, which will see Sylvester Stallone once again return to his iconic role as the now ageing boxer. It’s yet to be released in the UK, and seems unlikely to be awards bait, but the trailers are suggesting a potentially upsetting ‘Rocky’s sick’ storyline which may bring Stallone into unexpectedly the running with an outside chance.

So there you have it, my predictions for the 2016 acting nominees! Here is a playlist with all of the trailers that have been mentioned in the prediction lists, check them out and let me know what you think in the comments section!:

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