Film, List

INSPIRATIONAL FILM SPEECHES:

Just as I recently shared with you some of my preferred study tracks, I thought I would also explore another of my useful study aids: the inspirational film speech.

A quick delve into Youtube and you will find yourself a treasure trove of cinematic brilliance – an inspirational speech is just what you need as you brace yourself to take on a mammoth task, be it a left-to-the-last-minute essay or a long day at work. Here are some of my go-to videos:

ANY GIVEN SUNDAY:

Let me level with you – I’ve never seen Any Given Sunday. I do, however, adore Al Pacino and never has his over-the-top-ness worked so well as it does here.

Inspirational speeches and sports films go hand in hand and the message being put across here is universal – take things one step at a time.

It is also speeches such as these that make you a little glad that the US hasn’t fully adopted the metric system, centimetre by centimetre doesn’t quite have the same ring to it.

ROCKY BALBOA:

Rocky Balboa has a quite a few moments of brilliance from Sylvester Stallone, but the speech he gives to his son is the one that hits home hardest. 

Robert “Rocky” Jnr has some problems with living in his fathers shadow, and Stallone pulled the flailing film series out of the gutter with this speech where he tackles his son head on, reminding him that it is up to yourself to take control of your own life.

“You, me or nobody is gonna hit as hard as life. But it ain’t about how hard you hit. It’s about how hard you can get hit and keep moving forward.”

Basically, you don’t have anyone else to blame if you don’t get your uni work done.

THE SHAWSHANK REDEMPTION:

Ok so it’s that point in the semester where everything is piling up and there doesn’t appear to be an end in sight, but at least you haven’t been falsely imprisoned for a double murder. 

Andy Dufrense managed to maintain hope in the face of some incredibly poor prospects, and this speech is the perfect one to drag you out of the pit if you are feeling sorry for yourself.

Not a straight up speech like the others, but still full to the brim with inspiration.

TEAM AMERICA: WORLD POLICE:

This is a film from the guys who make South Park, and I’ve always been an advocate of the fact that underneath the profanity and vulgarity (of which there is plenty) there is almost always a clever and sometimes affecting message. 

Plus, if you don’t buy into any of that you will probably at least get a laugh from it.

LORD OF THE RINGS: RETURN OF THE KING:

Pre-battle speeches are a great form of inspiration – also see 300 and Braveheart for some other examples – but this one from Aragorn in the final instalment of the Lord of the Rings trilogy could easily be regarded as the grandaddy of them all. 

It’s fairly short and to the point, but Viggo Mortensen delivers it with such gusto that you will watch it and find yourself fired up and ready to take on the world.

LEGALLY BLONDE:

“You must always have faith in yourself.”

The world of inspirational film speeches is quite a male dominated one, from sports films to battle scenes, but Legally Blonde is a great one in the motivation stakes – if Elle can graduate, so can you.

BRIDGET JONES DIARY:

Less inspirational, more painfully relatable, this one was too funny not to be included. 

Which film speeches inspire you? Let me know in the comments section! 

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Film

FILM INQUIRY:

Just a quick update to say I am still alive. I’m super busy with university work at the moment and haven’t had the time to make many updates here. I hope to post something new soon, but in the meantime feel free to check out some of the work I’ve been doing over at Film Inquiry!

Here is a Beginner’s Guide to one of my favourite directors, Danny Boyle. I also wrote an essay about the place for screwball comedy in modern cinema, which you can check out here. Lastly I wrote another Beginner’s Guide for the late, great John Hughes, which you can read on this link.

Expect some new updates both here and on Film Inquiry in the very near future. In the meanwhile, here are some trailers for my most anticipated films in the coming months…

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Film, Trailers

TRAILER – THE PREPPIE CONNECTION:

Directed: Joseph Castelo

Starring: Thomas Mann, Lucy Fry, Sam Page

Based on the real life scandal at Choate Rosemary Hall in 1984, The Preppie Connection tells the story of a private school student (Thomas Mann) who begins a drug trafficking network

The trailer paints the film as an interesting blend of genres, with teen movies, indie flicks and crime/drug capers all amalgamating into The Preppie Connection, which could prove to be the element upon which the film will sink or swim.

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source: Variety

Mann made waves last year in the excellent Me, Earl and the Dying Girl, and it will be interesting to see what he can do with this role as the student who helms the trafficking. Mann has the right balance of indie awkwardness and charm and looks set to be bringing plenty of that to this, with the crime element creating something different.

The supporting cast look to be just as interesting with Australian actress Lucy Fry appearing to have an important role as the love interest and motivator of Mann’s character. Mann and Fry’s roles were initially linked to Evan Peters and Bella Heathcote respectively, but the pair look like a solid fit for the characters.

Joseph Castelo has previously directed two films – American Saint (2001) and The War Within (2005) – which explore interesting subject matters, with this proving to be another intriguing entry. The director has also penned the script alongside Ashley Rudden.

The film is set for a limited release in the USA on the 18th of March, with no word yet on a UK release date. With such a promising cast and an alluring concept, lets hope The Preppie Connection will make an appearance on this side of the pond sometime soon.

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Film, News, Opinion

SUICIDE SQUAD TRAILER #2

I’m not going to lie – I spend a lot of time complaining about how trailers are getting worse and only ever manage to ruin the movie months before I inevitably go see it anyway – but even I was blown away by the latest Suicide Squad trailer that Warner Bros dropped a couple of weeks ago.

Seriously, it’s a trailer DONE RIGHT. There are literally hundreds of things for fans to pore over, but those wily marketing experts resist the urge to spoon feed everyone the entire plot (take note movie industry).

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First and foremost, the decision to use Queen’s Bohemian Rhapsody is nothing short of genius. I’d go so far as to say that it outdoes Marvel’s excellent use of Pinocchio’s I’ve Got No Strings in the Avengers: Age of Ultron trailer.

It immediately sets this trailer apart from the first, which was a slow burner that made use I Started A Joke by Sidney Chase to massively creepy effect. This time we have the squad in action, and director David Ayer is keen to tell us one thing – this is going to be an insanely fun ride.

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Harley Quinn (Margot Robbie) is the star of the show and it is clear that we will see her origin story – the one that includes the big ol’ vat of acid. Pair that with Jared Leto’s take on the Joker, which looks like something we haven’t seen on the big screen before, and Suicide Squad is shaping up to be something special.

Some of the lesser characters were given a bit more screentime this time round, and Killer Croc (Adewale Akinnuoye-Agbaje) and El Diablo (Jay Hernandez) in particular look promising. Croc’s visuals seem much more assured and the first proper glimpse at him in action has left me excited for more.

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My biggest surprise of the trailer was Jai Courtney’s Boomerang. I had no hope for Boomerang (meaning I gave him no thought), largely because Tom Hardy gave up the role (sob) and Courtney is the most boring piece of eye candy to come around since Sam Worthington, but I take it all back based on this trailer.

Seriously – Boomerang looks like he is going to be the comic relief, with a couple of moments in the trailer nodding in this direction. Here’s hoping this is finally a role with a bit of personality – don’t let me down Courtney, this is your chance to make up for Terminator Genysis (2015).

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Also, how amazing is the graphic design? I mean, it’s probably not often that it is an area that warrants its own mention, but seriously – it’s beautiful.

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Film, Reviews

FILM REVIEW: SPOTLIGHT

spotlight-pic-2Making a good film about journalism isn’t easy, but when done right can be great. The defining example, in what will come as a surprise to no-one, is the 1976 film All The President’s Men, and the golden rule of such films (and of journalism as a whole) is that journalists tell the story, they don’t make themselves the story. It is the steadfast sticking to this rule that makes Spotlight, the latest film from Tom McCarthy, such a resounding success.

Starring an ensemble cast including Michael Keaton, Mark Ruffalo and Rachel McAdams, the film depicts the true life events that occurred in 2001 when the Boston Globe’s Spotlight team uncovered a child abuse scandal within the Catholic church. The team won the Pulitzer Prize for their work, and the story is a shocking one. The film has been nominated for a total of six Oscars, making it a surprise success during awards season.

McCarthy’s direction is reminiscent of police procedural shows, perhaps unsurprising seeing as he penned the script with Josh Singer, who is known for his work on various shows including Law and Order: Special Victims Unit. McCarthy opts for a relatively straightforward form of filmaking, allowing the story to speak for itself in the starkest form.

Spotlight-462365831-largeThe cast are intrinsic to the films success, with Ruffalo and McAdams picking up Supporting Actor/Actress Oscar nominations respectively, though it is a surprise that Keaton did not pick up a nomination for the second year running for his phenomenal turn. Ruffalo is certainly the moral conscience of the film, picking up some of the best lines, but Keaton’s more understated performance is just as affecting.

McCarthy and Singer’s script manages to make quite a dense topic accessible without oversimplifying it, and they also avoid the traps of exageratting the true story for dramatic effect or over-relying on use of the victims to get their point across. This means that Spotlight remains fully grounded in the facts, which are shocking enough on their own. The film is a slow burner, which makes sense considering investigative journalism is built around slowly bringing the jigsaw pieces together.

The film pays enormous detail to its 2001 setting and is hugely convincing in its portrayal of journalism before technology took over. McCarthy has said that at its core the film is about the power of journalism, something he believes has been lost in the present day as we are constantly bombarded with information. It’s a strong message and it raises some interesting questions about the power of the media and how, especially before the rise of social media, select people were in charge of what information went out to the masses.

Spotlight is everything that a film of its sort should be, with a fantastic cast and a story that will make you stand up and take notice, there is a good chance that the underdog at the Oscars could turn out to be a real frontrunner next month.

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Film, List

JANUARY IN FILM – TOP 5 MOVIE QUOTES

My top five pieces of dialogue from January’s cinema offerings. 

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The most tedious month of the year is finally over. I’ve been pretty active in my cinema-going this month and have managed to see a total of ten different films, ranging from the average to the awards-worthy. Here are my five favourite quotes that have stuck with me most from this months viewing…

“That’s the thing with old people. You can push them down the stairs and pretend it was an accident, but you can’t just shoot ’em”

– Kurt Russell’s bounty hunter John Ruth says it like it is in The Hateful Eight

“He’s so transparent in his self interest that I kinda respect him” 

– Mark Buam (Steve Carrell) assesses sleazy banker Jared Venett (Ryan Gosling) in The Big Short

“Are you four?”

– Steve Carrell gives everyone Michael Scott flashbacks in The Big Short

“They knew and they let it happen….It coulda been you, it coulda been me, it coulda been any of us!” 

– Mark Ruffalo shows why he received a Best Supporting Actor nomination for his turn as journalist Michael Rezendes in Spotlight

“Such tremendous effort…for such modest returns” 

– Michael Caine gives his best performance in years as a retired composer in Youth

What are your top quotes for the month? Let me know in the comments section!

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Film, Reviews

FILM REVIEW: DADDY’S HOME

Mark Wahlberg and Will Ferrell team up for the second time in Sean Anders’ comedy.

daddys-home-movie-2015-reviewsWill Ferrell is nothing if not consistent – whilst he has been the star of some of the most hilarious comedies of the 21st century, even his lesser efforts are sure to make you laugh. He’s a funny guy, and he can be counted on to make funny films – if it ain’t broke, don’t fix it, right? It will therefore as a surprise to no-one that Daddy’s Home is funny. Ferrell first teamed up with Mark Wahlberg for action comedy The Other Guys in 2010, and they have proven their comedic chemistry again here in a film about everyman Brad (Will Ferrell), who is married to Sara (Linda Cardellini) and step-father to her two kids. Brad wants nothing more than for the kids to call him Dad, and he seems to be making progress in that direction until Dusty (Mark Wahlberg), the kids’ biological father, shows up. Cue a step-father v Dad stand-off where everyone involved learns a lesson or two.

Sean Anders is in the directors chair, with his previous credits including Horrible Bosses 2 (2014) and writing gigs on We’re The Millers (2013) and Dumb and Dumber To (2014). He doesn’t bring anything new to the table, but the film is clearly in capable hands. His camera work on the more physical scenes is strong, but he does little to elevate Daddy’s Home above typical Friday-night movie fare.

daddyshome-mv-4Brian Burns’ screenplay (which is loosely based on his own experiences as a step-father), breaks no new ground and the plot is as predictable as the trailer makes it out to be. The film is largely propped up by the aforementioned chemistry between its leading men. The juxtaposition of over-earnest and by-the-book Brad and the wild and unpredictable Dusty is a trope in itself (“It’s a story as old as time” remarks Dusty in an amusingly self-aware moment), but that doesn’t stop it from being funny to watch them attempt to one-up each other.

The cast is rounded out by some hilarious supporting players, most notably Griff (Hannibal Buress), the handyman who becomes friends with Dusty and Leo (Thomas Haden Church), Brad’s over-sharing boss. Buress and Haden Church’s dry humour acts as an effective balance to the more over-the-top and slapstick elements of the central duo, keeping it from becoming overpowering. A cameo from John Cena is also expertly executed, getting one of the biggest laughs of the film.

The kids (played by Scarlett Esteves and Owen Vaccaro) are nowhere near as insufferable as the children that populate many a comedy (the kids in last years Vacation, albeit older, immediately spring to mind). It’s also worth noting that the film is the epitome of a boy’s club, with Cardellini given little to do other than to stand around and shake her head at the men, but if anything that’s more of a reflection on the wider problems about women in comedy.

daddyshome-mv-6The product placement is so hilariously blatant that it deserves special mention – from Ford cars to numerous types of beer, the film cannot be accused subtlety in either its storytelling or shafting of products, but it’ll at least give you something else to laugh about. Whilst critics have been mixed in their opinions, the film has been a smash-hit financially and is close to hitting the $200 million mark in domestic grosses, which makes it Ferrell’s second largest non-animated opening. All in all, it’s nothing new and you will be hard pressed to remember it in a month’s time, but Daddy’s Home is still well worth a watch based on Ferrell and Wahlberg’s comedic duo alone.

 

 

 

 

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