Film, Reviews

FILM REVIEW: TRUMBO

trumbo-bryan-cranston

Bryan Cranston as Dalton Trumbo. source: TV Daily 

Trumbo tells the story of Dalton Trumbo, one of the Hollywood Ten who was put to prison for defying the House of Un-American Activities Committee and placed on the blacklist. McCarthyism was a dark period for Hollywood, a time of paranoia and fear that saw many lives ruined, and whilst there have been countless cinematic adaptions of the period, Trumbo still feels like an important story to tell.

Jay Roach, probably best known for the Austin Powers movies, is confident in his direction.Aesthetically, the film has a gloss associated with the nostalgia of old Hollywood only to pull the rug as the narrative means the veneer gives way to the darkness beneath. Pair the polished visuals with a jazzy score and Trumbo is a treat for both the eyes and the ears.

1446782476032

The real life Dalton Trumbo. source: Stuff

Cranston is nothing short of magnificent as Trumbo, perfectly embodying the spirit of the man who’s stubborn nature was both greatest strength and weakness. He anchors the entire film, keeping it strong through its wobblier moments. Particular highlights include a bittersweet speech and a magnificent display of the artistic process.

The supporting cast are a mixed bag, though John Goodman almost steals the show as B-movie producer Frank King, who perfectly conveys the more satirical and amusing moments. Helen Mirren almost threatens to go into pantomime villain area with her take on gossip columnist and HUAC-advocate Hedda Hopper, but it’s still fun to see her take on a bitchy role.

12OPTICS-slide-FCUV-superJumbo

Helen Mirren as Hedda Hopper. source: Screen Prism

Diane Lane is understated but strong as Cleo, Trumbo’s long suffering wife who, along with his children, has to deal with the reality of the blacklist, but also of Trumbo’s own stubborn idealism. Elle Fanning also brings a lot to what could have been a shallow background role as daughter Niki.

The film doesn’t work all the time – sometimes it feels like the glossy exterior is also masking some of the real horrors of the era. We see the impact on Trumbo’s family, but it feels isolated and it can be hard to forget that the blacklist impacted thousands. Louis C.K’s character can also be a distraction – whilst his deadpan deliveries are funny, his style is so associated with his stand-up that it can take you out of the film.

Trumbo is a good film that uses a comedic touch to tell a very serious story and with Cranston’s Oscar-worthy performance providing the beating heart, it is perpetually on the edge of greatness.

 

Standard
Film, List

5 THINGS YOU DIDN’T KNOW ABOUT IT’S A WONDERFUL LIFE:

Some facts you might not no about everyone’s favourite christmas flick.

06091a93-03e2-4aac-8a23-d228b3f27c40

It’s A Wonderful Life is a true christmas classic – I count myself among one of the thousands who watches the film and gets a little misty eyed every festive season. It can hardly be accused of being subtle, and there is no doubt that it can be a little sickly sweet for some, but I see the film as essential yuletide viewing. It’s been 59 years since Frank Capra’s film came out, and much of the story surrounding it is common knowledge – based on short story The Greatest Gift by Philip Van Doren Stern, it initially flopped at the box office before being revived due to the copyright expiring in the 1970s – but there are also some lesser known fun facts about It’s A Wonderful Life, five of which I have compiled here…

5 – IT INVENTED A NEW KIND OF ARTIFICIAL SNOW

02974031

Snow set under construction (Cornell Library) 

The film was nominated for five oscars back in 1946, but unfortunately didn’t win any. It was however awarded a Technical Achievement Award for its innovation in creating a new method for artificial snow. Before It’s A Wonderful Life, films featuring snow usually used cornflakes that had been painted white. This meant that any scenes featuring both snow and dialogue had to be redubbed due to the racket from walking over cornflakes. This situation wasn’t ideal for a film set in a town in the depths of a snowy winter, so RKO’s Head of Special Effects Russell Sherman worked together with Capra to come up with a quieter form of fake snow. This was achieved by mixing together famine – the material used in fire extinguishers – sugar, water and soap flakes, creating a sprayable and totally silent type of artificial snow. Chances are the makers of cornflakes weren’t too happy at this innovation – there must have been quite a drop in sales in the Hollywood area post 1946.

4 – IT’S AN EARLY EXAMPLE OF PRODUCT PLACEMENT

cigs

Business Insider

Product placement is something that is generally thought of as the bane of modern filming (yes we are all looking at you, Jurassic World), so it is surprising to see that it actually dates back decades, and even wholesome classics weren’t immune from its wily ways. Mr. Gower’s drugstore is a hotbed of product placement action – ever wondered why you always have a hankering for some Coca Cola when you watch that scene? (you probably don’t have such cravings, but roll with me here). Coke is only one of numerous products which are on display in the background of the store, which mostly features brands of cigarettes and cigars. Sweet Caporal cigarettes were the biggest benefactors however – George looks at their advertisement, which reads ‘Ask Dad. He knows”, as inspiration to go talk to his father. See what they did there – product placement done right. Take note, modern day Hollywood.

3 – BEULAH BOND WAS JIMMY STEWART’S MOTHER FOR THE FOURTH TIME

1161de00fb148e7c849bdcd060a4189e

Pintrest

By the time Beulah Bondi came to play Mrs. Bailey she was no stranger to playing Mum to James Stewart – she had already done so three times. The actress, who made a career playing maternal roles, played Jimmy Stewart’s mother in Mr. Smith Goes to Washington, Of Human Hearts and Vivacious Lady. She went on to do it one last time on The Jimmy Stewart Show: Identity Crisis (1971). Despite her reputation for playing motherly roles, Bondi never married or had children, but she is warmly remembered for being a twice oscar nominated character actress who was particularly active through the ‘classic Hollywood’ era of the 1930s to 1950s.

2 – UNCLE BILLY WASN’T AS DRUNK AS YOU THOUGHT

T_&_HENRY_TRAVERS_CTF19022-4487

The Guardian

Remember that scene where Uncle Billy drunkenly makes his way home, only for a big crash to sound out and him to yell “I’m all right, I’m a llllll right!”? Believe it or not, that little chunk or hilarity was not in the script. In reality, a crew member dropped a large piece of equipment and Thomas Mitchell, who played Uncle Billy, went along with it by coming out with the line. Jimmy Stewart followed suit with his reaction, and Capra enjoyed the segment so much that he kept it in the film, enhancing the crashing noise and giving the stagehand who dropped the equipment $10 for “improving the sound”. Whilst only a small moment in the film, it is a great example of the charm that has made it so enduring, and is made all the funnier by the fact that it was unintentional.

1 – IT WAS CAPRA’S FILM THROUGH AND THROUGH

capra

AFI

Frank Capra generally both wrote and directed his films, but he took things a step further with It’s A Wonderful Life. Capra directed, produced, financed and co-wrote the film, making it a true passion project for the director. In his autobiography he stated that he believes it to be the best film he ever made (a sentiment now shared by the masses, it would seem), and it is clear that he believed in the project wholeheartedly. This makes it all the more tragic that the film did so poorly in it’s initial run. After the Second World War Capra’s films became less popular – his work was deemed to be overly idealistic and simple for the prosperous post war climate, and was seen as better suited to the Depression and pre-war era that he had found such success in. On the bright side, Capra lived to see the film gain the iconic status that it has since afforded itself, and much of his later work has been reassessed as being excellent, so it wasn’t a total Van Gogh situation.

What are your favourite facts about It’s A Wonderful Life? Let me know in the comments section!

 

 

Standard
Film, Lists, Opinion

OSCARS 2016: ACTING NOMINEE PREDICTIONS:

1401x788-162616927

The Oscar race is well and truly underway, and movie fans are now being treated to some of the best that cinema has to offer between now and February 28th next year. The acting nominations are among the big hitters in terms of Academy Awards, and the Academy are going to have some extremely tough decisions on their hands next year in that area. Bearing in mind that the I have not seen a great deal of these films, I have compiled my current predictions for who will be nominated in the four big acting categories – Best Actor, Best Actress, Best Supporting Actor and Best Supporting Actress.

BEST ACTOR:

PicMonkey Collage

THE FIVE:

  • Johnny Depp, Black Mass
  • Eddie Redmayne, The Danish Girl
  • Leonardo DiCaprio, The Revenant
  • Michael Fassbender, Steve Jobs
  • Tom Hanks, Bridge of Spies

WILDCARDS:

  • Tom Hardy, Legend
  • Ian McKellan, Mr. Holmes

This is an extremely strong category this year, and certainly the category that everyone will be talking about. The Academy are a big fan of a truse story, and this is very much looking like its going to be the main trend in the Best Actor nominations this year. Johnny Depp is already making waves for his performance of real-life gangster Whitey Bulger in Black Mass, which is out on Friday here in the UK. Depp has been accused with going for quirk over content in the past few years, and this has been lauded as a real return to form. Even just looking at the trailer, it is clearly a totally transformative role, and whilst the gangster genre is a hard one to nail I don’t think there are going to be many criticisms of Depp’s performance, making him a real contender for Best Actor.

Eddie Redmayne won in this category last year for his excellent turn as Stephen Hawking in The Theory of Everything, which was above all a real feat in physical acting. It could be two in a row for the British actor with Tom Hooper’s The Danish Girl seeing him take on the role of Lile Elbe, the first ever person to undertake gender reassignment surgery. This film has the Academy written all over it, and Redmayne stands a real chance at becoming only the third actor (after Spencer Tracy and Tom Hanks) to bring home the statue two years in a row.

Leonardo-DiCaprio-Oscar-2014Leonardo DiCaprio is being heavily tipped to finally get his Oscar with The Revenant. Directed by Alejandro Gonzalez Inarritu, the man behind last year’s Acadamy success story Birdman, the film tells the story of Hugh Glass, a man who survived being mauled by a bear in 1820’s Dakota Territory. The film is already expected to be a technical masterpiece, but will it also bring DiCaprio his fifth nomination? You have to root for him really, if they don’t give him an award soon they are going to end up giving him one for a mediocre film in years to come when they finally realise he was overlooked (a la Al Pacino in Scent of a Woman). The downside of a DiCaprio win? There won’t be anymore of those hilarious GIFs spreading across the internet (sorry Leo).

Steve Jobs wasn’t as much of a commercial success in the US as expected, but this shouldn’t affect Michael Fassbender’s chances of nabbing a nomination as the Apple founder and CEO Steve Jobs in Danny Boyle’s film of the same name. What he lacked in physical resemblance he more than made up for in nailing the complexity of Jobs’ character in a real warts-and-all fashion. He probably won’t win, but a nomination is surely on the horizon.

I am yet to see Bridge of Spies, but there is pretty much no doubt in anyone’s mind that: a) it will be great; b) it will be nominated for a lot of awards. It has some of the best talent in Hollywood behind it after all, with Steven Spielberg in the director’s chair, the Cohen Brothers with writing credits, and Tom Hanks in the lead role.  If that’s not a recipe for awards gold I don’t know what is, and I think Hanks is all but guaranteed a nomination. He has been nominated five times before, winning twice in the early 90’s for Philadelphia and Forrest Gump, and Bridge of Spies ticks a lot of Academy friendly boxes, but with such a strong Best Actor category this year anything could happen.

PicMonkey CollageDue to such a strong category, there are a few performances that have an outside chance of getting a nomination. I haven’t totally ruled out Matt Damon in The Martian – a great performance from a very popular actor. The Academy does appear to take commercial success into account in some cases – could we see Damon toppling Fassbender if they base it on the Box Office?  Tom Hardy in Legend could be in with an outside chance, though it would seem the odds may be stacked against his heavyweight performance. Hardy took on the double role of the Kray twins, but I think if it came to an Academy nomination his more restrained turn as Reggie could be in with a chance. Legend is another example of the busy and difficult gangster genre, and its very distinct sense of Britishness could see it remain on the outskirts come the Oscars. Sir Ian McKellan also delivered an excellent performance as an ageing Sherlock Holmes in Mr.Holmes, though the films early release date and understated nature could see it getting overlooked in a very flashy category.

BEST ACTRESS:

PicMonkey Collage2

THE FIVE:

  • Jennifer Lawrence, Joy
  • Saorise Ronan, Brooklyn
  • Cate Blanchett, Carol
  • Carey Mulligan, Suffragette
  • Maggie Smith, The Lady in the Van

WILDCARDS:

  • Meryl Streep, Ricki and the Flash
  • Melissa McCarthy, Spy

Best Actress is a great category this year, with a range of excellent performances to choose from. Jennifer Lawrence has just become the highest paid actress in the world, and she has also been nominated two years in a row, winning in 2014 for Silver Lining’s Playbook, and her hot streak looks set to continue with her latest Oscar effort, Joy. Joy sees her reunite for a third time with director David O Russell to chart the life of Joy Mangano, inventor of the Miracle Mop. The film isn’t out yet but Lawrence is almost guaranteed to make it a hat trick with a third nomination.

Brooklyn has been receiving excellent reviews, with the majority of the praise being aimed at the performance of Saoirse Ronan, who plays the lead role of an Irish girl who emigrates to America. The film is an understated masterpiece, and Ronan deserves all the praise she can get for her work, making this nomination another pretty safe bet. The Irish actress was nominated in the supporting actress back in 2007 for Atonement, aged just 13 at the time, and her transition into adult roles is awards-worthy indeed.

Cate Blanchett is one of those actresses that is so consistently good that it is almost taken for granted. She is being heavily tipped for a nomination for her role as the titular Carol, in the film based on Patricia Highsmith’s novel. She is already a six time nominee and two time winner – winning in the Supporting Actress category for The Aviator in 2004, and bagging Best Actress for her sensational turn in Woody Allen’s Blue Jasmine in 2013. Carol is out in the UK on Friday, but Blanchett’s impressive CV already suggest that she will be a main contender come February.

Suffragette is the kind of film I’m surprised hasn’t been made before now – a look at the struggle in the UK as women fought for the vote. It featured an excellent cast, including Helena Bohem Carter and Meryl Streep (in hardly more than a cameo, granted), but at the heart of it all was Carey Mulligan, who plays a young working class wife and mother that gets swept up by the cause.  It’s going to be a tough category this year, but I think Mulligan has a real chance at being nominated in this undeniably important film.

The Academy, or perhaps Hollywood as a whole, can be a real ageist old bunch, but I still think that Dame Maggie Smith is a real contender this year for her fantastic turn in The Lady in the Van. It’s like Suffragette in that it’s all very British, but it has a charm that will still be felt across the pond. This isn’t as strong a contender as the others, but that is not down to the acting in any way. Smith is tremendous, bringing her huge talent and underrated comic timing to the fore.

PicMonkey Collage5This is another extremely strong category, but it has been an big year for strong female performances and there are a few excellent ones that might nab an unexpected nomination. Ricki and the Flash was a really bad movie, but the Academy (along with the world) love its star, Meryl Streep (NINETEEN nominations, more than anyone else ever), and she has been nominated for less than stellar films before with August: Osage County, so don’t count her out of the running just yet. The Academy has never been particularly rewarding of comedy, so it would be a surprise to see the nonetheless deserving Melissa McCarthy or Amy Schumer bag nominations for Spy and Trainwreck respectively. Never say never though – McCarthy in particular is becoming a real Hollywood success story, and Spy was a fantastic revamp of both the dated spy format and spoof genre, so a surprise nomination is not totally out of the question. She was also nominated in the Supporting Actress category for her equally hilarious turn in 2011’s Bridesmaids, showing that even the Academy can’t turn its nose up at truly excellent comedy.

BEST SUPPORTING ACTRESS:

PicMonkey Collage3

THE FIVE:

  • Rooney Mara, Carol
  • Alicia Vinakaner, The Danish Girl
  • Kate Winslet, Steve Jobs
  • Marion Cotillard, Macbeth
  • Jane Fonda, Youth

WILDCARDS:

  • Jennifer Jason Leigh, The Hateful Eight
  • Julie Walter, Brooklyn

PicMonkey Collage6Rooney Mara is making real waves for her performance in Carol alongside Cate Blanchett. With Blanchett being the stalwart that she is, it is no small praise that Mara apparently matches the leads talent in the film about a love between two women. She was nominated in the Best Actress category in 2011 for David Fincher’s The Girl With the Dragon Tattoo, but lost out to Natalie Portman in Black Swan. This could be Mara’s year, with Carol receiving critical adoration that looks set to carry the film through to a successful awards season.

This post has already detailed the fact that The Danish Girl is serious awards bait, and Alicia Vinakaner looks set to be a real contender in the Supporting Actress category. She plays the wife of Eddie Redmayne’s character and it is sure to be a very engaging and complex role. It’s the type of thing that the Academy eats up and a non-nomination for Vinakaner would be a shocking game changer.

Kate Winslet looks like the only other chance Steve Jobs’ has in terms of acting nominations. Whilst the film boasts excellent performances from the likes of Seth Rogen and Jeff Daniels, they are arguably not prominent enough to be real contenders in the Supporting Actor category. Winslet is on excellent form as Jobs’ assistant and confidant Joanna Hoffman, providing a voice of reason to the visionaries tunnel vision. No stranger to the Academy – in 2008 she won Best Actress for The Reader, and in the process became the youngest actress to receive six nominations (aged 33), and it is looking relatively likely that she will bring it up to seven next year.

Macbeth was a stunning film. The refusal to deviate from the original Shakespearian script did of course make it quite hard to follow, but it still received significant attention from critics, and rightly so. French actress Marion Cotillard was an excellent Lady Macbeth, matching Michael Fassbender’s performance as the murderous king to a tee. Fassbender was excellent as Macbeth but his nomination for Steve Jobs is a much surer bet, and it is difficult to decide if Cotillard would fall into lead or supporting role. I think it is more likely that, if nominated, it will be in Supporting Actress. This one is 50/50 however, as there is a good chance that her excellent performance may go overlooked.

I haven’t seen Youth, the drama starring British acting legend Michael Caine, but I have heard nothing but good things. One of the main points of praise has been Jane Fonda’s supporting role, and I think there is a fair chance that she, an American legend herself, could be appearing on the list of nominees. She has been nominated seven times before, winning twice in the 1970’s, and it would be great to see her make a return to the Academy with her first nomination since 1986.

Supporting roles are a harder category to define in general, and it is therefore harder to pinpoint who might be heading for nomination – a role too big and it might not make the supporting category but also be too small for the main award, too small and it can’t justify a nomination. I believe (and hope) that Julie Walters may still be in with a chance for her small role in Brooklyn, where she provided the film with a whole lot of heart and some sweet comic relief. However, it does run the significant risk of being too small of a role, so I won’t be holding my breath over this one too much. Jennifer Jason Leigh could make a surprise nomination for her role in Quentin Tarantino’s upcoming western, The Hateful Eight. She is the only woman amidst the titular eight, and with a crowded primary cast it is still yet to be seen how prominent of a role she will really play, so this one is still very much up in the air. It’s also worth noting that the Academy have been proven to be uncomfortable with Tarantino’s particular brand of gloriously violent film-making, with his 1994 masterpiece Pulp Fiction failing to win Best Picture, which doesn’t bode well for Jason Leigh bagging a nomination.

BEST SUPPORTING ACTOR:

PicMonkey Collage4

THE FIVE:

  • Tom Hardy, The Revenant
  • Robert DeNiro, Joy
  • Bradley Cooper, Joy
  • Benicio Del Toro, Sicario
  • Mark Ruffalo, Spotlight

WILDCARDS:

  • Joel Edgerton, Black Mass
  • Sylvester Stallone, Creed

Tom Hardy is in with much more of a chance at a supporting nomination for his role in The Revenant. Hardy is known for his massive commitment to his roles, and it is sure to payoff in a film of such intense nature.

David O Russell really loves the Jennifer Lawrence/Robert DeNiro/Bradley Cooper trio, and the Academy seems to also. Both DeNiro and Cooper are set to appear in Joy, and if the past is anything to go by they are probably both in with a pretty decent chance of nomination. DeNiro is a Hollywood heavyweight, having appeared in some of the best films ever made, and now has the sort of untouchable appeal that is also held by the likes of Meryl Streep, whilst Cooper has been nominated the past three years in a row and, like Lawrence, is on a hot streak that is showing no signs of ending anytime soon.

Benicio Del Toro has received high praise for his role in the tense cartel thriller Sicario, and it looks like he may bag himself a nomination. He won an Oscar back in 2000 for his role in Traffic, which was also a crime thriller, and the genre seems to be the actors forte.

Spotlight recieved a limited release in the US earlier this month and has already been met with critical acclaim. It has an ensemble cast with no clear lead, but Mark Ruffalo has been singled out by several critics as one of the films many highlights. Ruffalo has been nominated twice before, and also just seems like such a nice guy that I think he has pretty strong chances.

PicMonkey Collage7It’s a hard one to call, but Joel Edgerton may be in with a chance for his role in Black Mass. The actor has made an impression this year with his directorial debut in The Gift, where he also showcased his impressive acting prowess. Whether he will manage a nomination from what the trailers are making to look like very much Depp’s film is yet to be seen. Spotlight is also getting a great deal of attention, and Michael Keaton may get a nomination in his role after missing out on Best Actor to Eddie Redmayne last year. He was nominated for his spectacular lead in Birdman, so could he get a consolation supporting nomination this year? The Rocky franchise, which was put to bed in 2006 with Rocky Balboa, is being passed over to Michael Jordan with Creed, which will see Sylvester Stallone once again return to his iconic role as the now ageing boxer. It’s yet to be released in the UK, and seems unlikely to be awards bait, but the trailers are suggesting a potentially upsetting ‘Rocky’s sick’ storyline which may bring Stallone into unexpectedly the running with an outside chance.

So there you have it, my predictions for the 2016 acting nominees! Here is a playlist with all of the trailers that have been mentioned in the prediction lists, check them out and let me know what you think in the comments section!:

Standard
Film, Opinion

THE RISE OF FEMALE FRONTED COMEDY:

 2011 was hailed as the year of change for women in comedy. With the release of smash hit Bridesmaids, which made over $287 million worldwide, it seemed that Hollywood was finally taking note regarding the depiction of female characters in comedy. For years women have been sidelined in the genre, usually appearing as one-note depictions or romantic interests to further the agenda of male characters, and it seemed as though the tide was finally turning.

Funnily enough, it’s taken a further four years for this change to really come to the fore, with 2015 seeing a string of mainstream female fronted comedies proving to be hugely successful. Spy and Pitch Perfect 2 are particularly lucrative examples, bagging well over $200 million each at the worldwide box office. Other films such as Hot Pursuit were of more dubious quality, but it is still great to see attempts being made to shake up the status quo. Then of course there was Amy Schumer shaking up the tired rom-com format with Trainwreck. It is also worth noting that the more typical male driven comedies of the year have been much less successful than Spy and Pitch Perfect 2 – Kevin Hart’s vehicles Get Hard and The Wedding Ringer were average performers, whilst Entourage and Hot Tub Time Machine 2 underwhelmed both critics and the box office.

There are some exciting prospects on the horizon, with Amy Pheloer and Tina Fey coming together for Sisters at the end of the year, an all female Ghostbusters on the horizon and a female driven comedy by the writers of the hilarious Broad City. Whilst there is certainly room for more diversity, with Sofia Vegara of Modern Family fame being one of the few ethnic stars to appear in any of the years comedies, these are all steps in the right direction.

 What is so notable about these films is its depiction of women as fully rounded, human characters. Films such as Feig’s The Heat (2013) and Spy are taking movie scenarios so typically inhabited by men and putting women at the helm. Spy is perhaps the best example, providing a hilarious yet empowering take on the tired spy format. These are all films that pass the Bechdel Test – which requires females to have a conversation not to do with men at some point in a film. This is a positive step away from the Sex and the City style chick flicks of the early 2000s, as whilst there is nothing inherently wrong with those sorts of films, they should not be the only way women are depicted in female-centric cinema.

This could finally signify a change that has been a long time in the coming. Dubbed the Bridesmaids Effect, we are finally seeing female driven comedies take their rightful place in the mainstream. Paul Fieg, a director who is deemed to be a part of this revolution for his work with Melissa McCarthy, has said: “it’s an amazing sign of progress, but it feels a little silly to be celebrating it. It’s good, but it’s not enough. And this should have happened years and years and years ago.”

 This is an interesting and wholeheartedly valid point – the fact that this is a big deal in 2015 is frankly ridiculous, and it’s still too early to tell if it is a permeanant development. It’s an area that has certainly seen a few false starts. Geena Davis – who made the news recently when she spoke out to highlight gender inequality in Hollywood – appeared to be kick starting a revolution back in the early 90’s with Thelma and Louise and A League of Their Own, so why has it taken another 20 years for the trend to take hold?

Quite simply, like everything in Hollywood it comes down to money. Before Bridesmaids there was nothing to convince studio executives that people would pay to see these kinds of movies. For far too long Hollywood has catered mostly for the teenage male, meaning that women are generally depicted within the limited guise of male fantasy. Whilst this trend in comedy suggests change may be on the horizon, the battle is far from over. We are yet to see a female led comic book movie from either Marvel or DC, and though there are ones in the horizon the balance is way off. Hopefully the financial and critical success of these comedies will help pave the way for progress in other genres too.

Here is Sofia Vergara and Reese Witherspoon discussing female comedy when they were promoting Hot Pursuit – whilst the film was only average you can’t fault this duos talent!:

Standard