Film, List

INSPIRATIONAL FILM SPEECHES:

Just as I recently shared with you some of my preferred study tracks, I thought I would also explore another of my useful study aids: the inspirational film speech.

A quick delve into Youtube and you will find yourself a treasure trove of cinematic brilliance – an inspirational speech is just what you need as you brace yourself to take on a mammoth task, be it a left-to-the-last-minute essay or a long day at work. Here are some of my go-to videos:

ANY GIVEN SUNDAY:

Let me level with you – I’ve never seen Any Given Sunday. I do, however, adore Al Pacino and never has his over-the-top-ness worked so well as it does here.

Inspirational speeches and sports films go hand in hand and the message being put across here is universal – take things one step at a time.

It is also speeches such as these that make you a little glad that the US hasn’t fully adopted the metric system, centimetre by centimetre doesn’t quite have the same ring to it.

ROCKY BALBOA:

Rocky Balboa has a quite a few moments of brilliance from Sylvester Stallone, but the speech he gives to his son is the one that hits home hardest. 

Robert “Rocky” Jnr has some problems with living in his fathers shadow, and Stallone pulled the flailing film series out of the gutter with this speech where he tackles his son head on, reminding him that it is up to yourself to take control of your own life.

“You, me or nobody is gonna hit as hard as life. But it ain’t about how hard you hit. It’s about how hard you can get hit and keep moving forward.”

Basically, you don’t have anyone else to blame if you don’t get your uni work done.

THE SHAWSHANK REDEMPTION:

Ok so it’s that point in the semester where everything is piling up and there doesn’t appear to be an end in sight, but at least you haven’t been falsely imprisoned for a double murder. 

Andy Dufrense managed to maintain hope in the face of some incredibly poor prospects, and this speech is the perfect one to drag you out of the pit if you are feeling sorry for yourself.

Not a straight up speech like the others, but still full to the brim with inspiration.

TEAM AMERICA: WORLD POLICE:

This is a film from the guys who make South Park, and I’ve always been an advocate of the fact that underneath the profanity and vulgarity (of which there is plenty) there is almost always a clever and sometimes affecting message. 

Plus, if you don’t buy into any of that you will probably at least get a laugh from it.

LORD OF THE RINGS: RETURN OF THE KING:

Pre-battle speeches are a great form of inspiration – also see 300 and Braveheart for some other examples – but this one from Aragorn in the final instalment of the Lord of the Rings trilogy could easily be regarded as the grandaddy of them all. 

It’s fairly short and to the point, but Viggo Mortensen delivers it with such gusto that you will watch it and find yourself fired up and ready to take on the world.

LEGALLY BLONDE:

“You must always have faith in yourself.”

The world of inspirational film speeches is quite a male dominated one, from sports films to battle scenes, but Legally Blonde is a great one in the motivation stakes – if Elle can graduate, so can you.

BRIDGET JONES DIARY:

Less inspirational, more painfully relatable, this one was too funny not to be included. 

Which film speeches inspire you? Let me know in the comments section! 

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#52FilmsByWomen, Film, Reviews

#52FILMSBYWOMEN: LOST IN TRANSLATION

(2003) Sofia Coppola

35-leanI have begun my #52FilmsByWomen journey with Sofia Coppola’s smash-hit Lost in Translation. It’s a film that has long featured on my mental ‘must-watch’ list due to the fact that it starred the ever-excellent Bill Murray and has a pretty revered status amongst, well, everyone. Written and directed by Sofia Coppola, daughter of Hollywood director Francis Ford who first made a name for herself with The Virgin Suicides (1999), my expectations were pretty high. The film was nominated for a total of four Oscars, of which Coppola won for Best Original Screenplay and became only the third woman ever (!) to be nominated for Best Director. Upon watching I think it’s clear the film would have had a real shot at taking home all four nominations had 2003 not been the year that Lord of the Rings: Return of the King stormed the Academy and took home statuettes for all 11 of it’s nominations.

58-boothMade on a budget of just $4 million, the film tells the story of Bob Harris (Bill Murray), an ageing actor who is in Tokyo filming a whisky commercial for the tidy sum of $2 million, and Charlotte (Scarlett Johansson), a recent philosophy graduate who is staying in the city whilst her husband (Giovanni Ribisi) is shooting on location. The pair, who are staying in the same hotel, form a bond over their mutual sense of isolation and sense of dissatisfaction with life. It’s an endearingly simple concept that transcends time, age, social class or any other distinguishing barrier – feeling alone is something that we all experience at one time or another.

Murray and a then 19 year old Johansson are perfectly cast as the central duo – Coppola reportedly said that she would never have made the film without Murray on board and that she wrote the part with him in mind. This is clear from the start – Murray brings just enough of his trademark sarcasm and aloofness to the role and is almost solely responsible for the comedic elements. Meanwhile, Johansson is mature far beyond her years and perfectly encapsulates that feeling of lacking direction. In an interview with Time in 2003, Coppola said:

“I liked that idea of juxtaposing a midlife crisis with that time in your early 20’s when you’re, like, what should I do with my life” 

16-in-crowdIt’s this idea that makes the film stand out – the two points in life actually have a lot in common with each other, from recklessness to feelings of dissatisfaction and confusion, and gelling them together proves to be much more effective than a narrative about two people of the same age would be. Coppola was inspired by Humphrey Bogart and Lauren Bacall’s relationship in The Big Sleep, and I know that with the film she intended to present a romance, but I personally perceived it as being much more grounded in friendship and empathy, with the characters finding refuge in each other from their own sense of loneliness.

Lost in Translation is rich with potential readings, and analysis of the film vary with interpretations including criticism of modernity, an example of ‘post-romantic’ cinema and a critique of the concept of monogamy. Whichever way you look at it, the sense of isolation and being ‘lost’ is the central theme of the entire film, and every creative decision points towards enforcing the idea. Setting the film in Tokyo gives the immediate sense of the characters being ‘lost’ in an alien culture. The film proved to be generally unpopular with Japanese critics, many of whom remarked that the film offered a negative portrayal of Japanese culture, but I think the point was not to accurately present the culture but instead to portray the way in which US tourists perceive and deal with the culture. Some have even gone so far as to argue that the film is actually a comment on the unwillingness of US tourists to engage with different cultures, but I’m not sure that is the case so much as it is using the location as a literal depiction of the characters prevalent feelings of being misplaced.

15-lunchCoppola shows significant insight into cultural differences, and in some instances she adopts a ‘turning of the tables’, best shown in the dryly hilarious commercial shooting scene. We see the Japanese crew place their perceptions of the West on Murray, asking him to channel the likes of Roger Moore’s James Bond – I see this as a pretty funny way of showing how Western cinema has been pushing its views on Eastern culture for decades.

I’m also a big fan of Anna Faris, who plays out the stereotype of a bubbly American film star, a significant contrast to the more thoughtful Charlotte. Coppola uses contrast constantly through eastern and western cultural differences, age and in this case personality, all creating the feelings of isolation that are so keenly felt by Bob and Charlotte.

As fantastic as the script and the acting was, my favourite thing about the film is without a doubt the stunning visuals. The cinematography is beautiful, with shadow and reflection being constantly used to again enforce the sense of isolation. The Park Hyatt Tokyo Hotel, where the film was shot on location, is engaging in it’s simplicity and modernity – the fact that they were only aloud to film in the middle of the night or in hallways/communal locations proving to be a benefit.

17-photoshootLost in Translation is a great film. It’s the sort of film you can watch repeatedly and, depending on your mood, come away with a different interpretation every time. It’s a film that was both thought provoking and wonderful to look at, and one that has made me really excited about continuing on my #52FilmsByWomen journey.

Find out more about #52FilmsByWomen here.

All images courtesy of FilmGrab.

 

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