Film, List


The top five teen movies of the 1980’s (AKA films made by John Hughes) 

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The 1980’s looked like a great time to be alive – despite only being born in the middle of the 90’s, I have always had a soft spot for the decade that came before, and this is largely down to the fact that 1980’s films are THE BEST.

Seriously, films made in the 1980’s are generally amazing, unique and definitely not the sort of thing that would get made today. Even though they were made before I was even born, I find characters in these movies to be much more relatable than most of what I see on screen today (spending my early teens wishing to be Hilary Duff did not make me Hilary Duff). One of the crown jewels of the film industry in this era was the teen movie genre, which had its very own brat pack and was helmed by the likes of John Hughes (how a grown man had such a keen insight into the inner psych of teens is a mystery).  This was a decade that graced the world with everything from Wall Street (1987) to Ghostbusters (1984), but I maintain that teen movies from the 1980’s cannot be beaten. This is not a takedown of Mean Girls (2004) or any other post-80’s teen movie, but instead a testament to the era where Molly Ringwald knew what was up.

Trying to compile just five of the best teen movies from the 1980’s proved to be a hugely difficult task, but here it is for you to enjoy – let me know if you agree in the comments section!

Honourable mention….

Heathers (1988)

Director: Michael Lehmann

Starring: Winona Ryder, Christian Slater, Shannon Doherty, Lisanne Falke, Kim Walker

heathers01_zps9cb90f94I’m just putting this out there – Heathers is one of my favourite movies of all time. The jet black satire that put Winona Ryder on the map is, in my opinion, one of the most hilarious and incredibly ahead of it’s time films to emerge from the 1980’s, and the likes of Jawbreaker (1999) and Mean Girls outright wouldn’t exist without it. The film tells the story of Veronica (Winona Ryder), a teenager who is part of the school’s most popular clique, populated by three girls named Heather (Shannon Doherty, Lisanne Falke and Kim Walker – plastics eat your heart out). Resenting the high school jungle, Veronica becomes involved with the mysterious new guy J.D (Christian Slater channeling a young Jack Nicholson, it’s all in the eyebrows), who has some pretty interesting ideas on how to deal with high school. The film is satire at its very best, with spectacular dialogue (“Dear diary, my teen angst bullshit now has a body count”) and truly fantastic central performances, Heathers is not a film for the easily offended, but it perfectly sums up some of the more ridiculous aspects of high school culture in a way that still feels relevant today. The only reason it didn’t make the official top five is because it is a satirical depiction of pretty much all the teen movies that were made in the 1980’s, and should thus be judged as a thoroughly different (but equally excellent) beast.

5. Weird Science (1985)

Director: John Hughes

Starring: Anthony Michael Hall, Ilan Mitchell-Smith, Kelly LeBrock

weird-scienceThere is apparently a remake of Weird Science in the works, and if this is true it should be stopped immediately because it is one of those concepts that worked in the 1980’s but is actually sort of weird and outdated and there should be no attempts to redo it. Got it, Universal? A lot of films from the 1980’s have this air of nostalgia and innocence around them that allow them to pull of some pretty creepy concepts (Back to the Future, anyone?), and Weird Science falls into that category. The film tells the story of Gary (Anthony Michael Hall) and Wyatt (Ilan Mitchell-Smith), two nerds who create the perfect woman (Kelly LeBrock) on a computer. It really shouldn’t work, but with Hughes writing and direction and Hall and Mitchell-Smith’s adorable performances it does. It’s hardly going to change your life, but Weird Science is a cult classic that makes perfect Friday night Netflix viewing – watch out for an extremely baby faced Robert Downey Jnr. playing bully Ian.

4. Ferris Bueller’s Day Off (1986)

Director: John Hughes

Starring: Matthew Broderick, Mia Sara, Alan Ruck, Jennifer Grey

36_ferris_buellers_day_offWhere to begin really – Ferris Bueller’s Day Off is pretty much the embodiment of everything that is so great about 1980’s films – and mainly it’s a whole lot of fun. Chicago teen Ferris Bueller (Matthew Broderick) decides that he fancies a day off school and constructs an increasingly elaborate scheme to remain undetected, getting his girlfriend Sloane (Mia Sara) and best friend Cameron (Alan Ruck) along for the ride. They spend the day getting up to all sorts of shenanigans, from visiting art galleries and restaurants to being part of a parade, all whilst Ferris’ sister (Jennifer Grey) and Student Dean (Jeffery Jones) try to catch him out. What makes the film so great is that it explores some interesting themes whilst still being a fun caper – Ferris may be the fourth wall breaking character of the title, but the film is really about the emotional journey of Cameron. Let’s face it – more people (meaning me) identify with Cameron than Ferris, and his realisation that he has to learn to stand up for himself in order to be happy is something that a lot of teens have to deal with, so it’s nice that John Hughes was around to give a helping hand and prove that strong messages can come in fun packages.

3. The Breakfast Club (1985)

Director: John Hughes

Starring: Judd Nelson, Molly Ringwald, Emelio Estevez, Anthony Michael Hall, Allison Sheedy

bender_fist“…In the simplest terms, in the most convenient definitions: a brain, an athlete, a basket case, a princess, and a criminal.” Back in 1985 John Hughes made his masterpiece with The Breakfast Club, a film that so perfectly embodies everything he was about as a maker of teen movies and a film that anyone can identify with anyone – and thus, the brat pack was born. Five teenagers are stuck together in the school library for an all-day Saturday detention. All from their own cliques, it seems like they have nothing in common, yet over the space of the day they transcend their respective stereotypes to become THE BREAKFAST CLUB, all while Simple Minds play in the background – it really doesn’t get much more 1980’s than that. Parodied so often, it can be easy to forget how great The Breakfast Club is (imitation is the sincerest form of flattery after all), and no matter whether you consider yourself to be the athlete (not so much) or the basket case (getting warmer), you’ll find something to love in Hughes’ film.

2. Pretty in Pink (1986)

Director: Howard Deutch

Starring: Molly Ringwald, Jon Cryer, Andrew McCarthy

Pretty-in-Pink-pretty-in-pink-21215372-500-281I know what you’re thinking, a film on this list NOT made by John Hughes?! But panic not, he wrote Pretty in Pink, so of course his stamp is all over it (thank god). Andie (Molly Ringwald) is a working class girl who has a crush on rich boy Blane (Andrew McCarthy, of course you’re rich when you’re called Blane). Throw into the mix her adoring best friend Duckie (Jon Cryer) and Blane’s dickhead friends Benny (Kate Vernon) and Steff (James Spader), along with Andie’s unemployed father (Harry Dean Stanton) and boss/mother figure Iona (Annie Potts) and you have a recipe for some class-A high school d-r-a-m-a. It’s another Hughes classic, and Ringwald is as good a role model as there is with her refusal to change for anyone – us gals can take a lot away from her performance, and even if you don’t agree with the ending (it was actually changed due to the original ending – which arguably makes a lot more sense – didn’t go down well with test audiences) chances are you’ll still go all gooey when Andie gets the guy.

1. St. Elmo’s Fire (1985)

Director: Joel Schumacher (pre-ruining everyone’s lives with Batman and Robin in the 1990s)

Starring: Andrew McCarthy, Emelio Estevez, Rob Lowe, Judd Nelson, Allison Sheedy, Demi Moore, Mare Winningham

St. Elmo's Fire characters, Kevin and JulesHere it is – my number one 1980’s teen movie. Many may disagree, but I love St Elmo’s Fire for a multitude of reasons, and an undying affection for young Rob Lowe is only one of them (equally strong affection for Andrew McCarthy makes two). Telling the story of seven college graduates navigating that tricky period between graduation and starting your real life, the film gets a lot of stick. I feel this is partly due to the fact that after the travesty that was Batman and Robin (1997), Joel Schumacher and his work have a very dark cloud over them. The thing is, much like all 1980’s teen movies, I don’t think its a film that needs to be taken all that seriously. Sure, Demi Moore totally overreacts about losing her job – but as someone who is on the cusp of entering her early twenties I feel pretty sure that my self-absorbed self would probably have a similar reaction – it’s called being young. It’s a coming of age tale that is just so quintessentially 80’s that to hate it isn’t something I can fathom – granted Emelio Estevez’s storyline is a tad creepy and Andie MacDowell is nothing short of awful, but who says it had to be perfect – there are faults with all of the films on this list, but that doesn’t stop me loving and steadfastly defending each and every one.


Film, List


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When it comes to mainstream cinema it’s all about the numbers, and the box office performance of a film is often what dictates whether it was successful or not. This can lead to sequels of bad films – Terminator Genysis, for example, is pretty sure to have a sequel in spite of appalling reviews and poor box office turnout in the USA due to the fact that it proved itself to be a money making machine in the gargantuan cinema-going demographic that is China. It can also lead to films that are actually pretty excellent only getting recognition years later due to a poor financial performance. Here are five films which performed poorly at the box office in spite of being great films…

Honourable mention…

Steve Jobs (2015)

Danny Boyle

Starring: Michael Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels

maxresdefault (2)An honourable mention due to the fact that it is still out in cinemas, Steve Jobs significantly underperformed upon it’s initial US release earlier this year. The film, structured like a three act play, stars Michael Fassbender as Steve Jobs and goes behind the scenes in the time leading up to three significant product launches. Penned by Aaron Sorkin (The Social Network) the film has garnered $18 million since its release. On a budget of $30 million, the film still has a way to go before even making its money back.

There are a few contributing factors which may explain why the film has been a financial flop in spite of excellent critical praise. Director Danny Boyle blamed the marketing strategy, believing that the film had to wide of an initial release and did not generate enough word of mouth. There is also the issue of Steve Jobs fatigue – the Apple founder has been the subject of dozens on films and documentaries, and the critical and commercial failure of the Ashton Kutcher starring Jobs (2013) is still fresh in the minds of US audiences. The film was released by Universal, who reportedly still have faith that the film can recover if it stays in cinemas until closer to awards season.

Amy Pascal of Sony passed on the film, seeing it as too big of a risk after the likes of Christian Bale did not agree to star, and rumours suggest that Jobs’ widow Laurene Powell actively tried to stop the films warts and all portrayal. Both Sorkin and Boyle have been very vocal about their belief that the film is not a biopic, but Powell’s sway in the tech community may be another factor as to why the film didn’t perform well.

5 – The Iron Giant (1999)

Director: Brad Bird

Starring: Vin Diesel, Jennifer Aniston, John Mahoney, Eli Marienthal

iron-giant-hogarthBased on the Ted Hughes novel The Iron Man (1968), this Warner Brothers Animation changes Hugh’s English setting for Cold War America. Set in 1950’s Maine, the film charts nine year old Hogarth Hughs (Eli Marienthal), a young boy who discovers a fifty-foot tall metal eating iron giant. The film was the directorial debut of Brad Bird, who is now best known for his work with Pixar, which includes The Incredibles (2004) and Ratatouille (2007), and incorporated a mixture of traditional animation and elements of CGI.

The film made around $23 million on a $70 million budget, making it a financial failure in spite of critical adoration. The film had a pre Fast and Furious Vin Diesel in the titular role, as well as roles for America’s sweetheart Jennifer Aniston and Fraiser’s John Mahoney, but selling animations on their star power are more difficult than live action films. The film also used a washed out colour palette and held some pretty strong anti-government themes. Take into account that the film is a non Disney animation and that Bird was yet to make his name, as well as the fact that it came out the same year as Toy Story 2 (1999) and that Pixar were making CGI films popular and it becomes clearer why the film made a loss.

The film received a limited rerelease in cinemas this year ahead of the release of the Blu-Ray edition, which contained two minutes of new footage, and the film is considered one of the best non-Disney animations. Bird’s work at Pixar also went on to be some of the most financially successful for the studio, so it’s not all bad.

4 – Heathers (1988)

Director: Michael Lehmann

Starring: Winona Ryder, Christian Slater, Shannon Doherty

Heathers2Heathers is an excellent black comedy/satire from Michael Lehmann. The film stars a young Winona Ryder, Christian Slater and Shannon Doherty, and is pretty fearless in its approach to tackling issues such as bullying and teen suicide. The film was made on a very low budget of $2 million but still only managed to make back around half, meaning it was still a financial flop.

The film was very well received by critics, but a couple of noted individuals such as Roger Ebert took issue with the films extremities. The film came out in the late 80’s – making it a great showcase of the fashion of the era – which means it came out in the midst of the John Hughes era. Seeing as the film was a total subversion of everything a Hughes teen film stood for, this is probably a significant reason as to why the film did not fare well commercially.

The films stars Ryder and Slater were also yet to make their names – Ryder was only 16 upon filming and had appeared in Beetlejuice (1988) the same year, but only really became better known in the 1990’s with roles in the likes of Edward Scissorhands (1990) and Mermaids (1990). Similarly, Slater was 19 when the film came out with only a few credits to his name. Notoriously difficult Shannon Doherty also hadn’t had a chance to prove how notoriously difficult she was, with her roles in Beverly Hills 90210 and Charmed coming in 1990 and 1998 respectively. This lack of percieved star power is another reason the film failed to gain any financial traction.

3 – It’s A Wonderful Life (1946)

Director: Frank Capra

Starring: James Stewart, Donna Reed, Henry Travers

tumblr_inline_nmh0a4Ufom1r4j8j1_500Frank Capra’s holiday classic, based on 1939 short story The Greatest Gift by Philip Van Doren Stern, is one of those rare films that it is very difficult to find anyone who dislikes it. However, whilst it may be hard to believe, the film was a letdown at the Box Office, debuting in 26th place. Made on a $3 million budget, the film only made $3.3 million in its initial run despite starring the hugely popular Jimmy Stewart in the central role of George Bailey, a man who is contemplating suicide and is visited by an angel, Clarence (Henry Travers) who shows him what life would have been like had he never been born.

The story doesn’t end there however – it was due to a copyright issue that the film went on to become a festive favourite. The film originally had a 28 year copyright claim, and when it expired the rights were not put up for renewal. This meant that in 1975 the film entered the public domain, leading to it having heavy circulation on television during the holiday season. This led to the film being reevaluated as a classic, and it has since garnered over $60 million in DVD and home video sales. NBC now own the rights and there is a good chance they won’t be giving them up anytime soon.

An interesting side note is that the FBI actually pinpointed the film as communist propaganda. A 1947 memo entitled ‘Communist Infiltration of the Motion Picture Industry’ argued it was propaganda due to its populist theme and negative portrayal of rich bankers. The film was not blacklisted in the infamous McCarthy era, but it is interesting to think that the FBI were concerned about the feel-good classic.

2 – The Shawshank Redemption (1994)

Director: Frank Darabont

Starring: Tim Robbins, Morgan Freeman

shawshank-musicThe seven times Oscar nominated film written and directed by Frank Darabont and based on the Stephen King novella Rita Hayworth and the Shawshank Redemption is one of the more surprising entries on this list. The film is currently at the top of the IMDb Top 250 Films list. The film was made on a $25 million budget, but debuted in ninth place on its opening weekend with only $2.5 million.

The film is regularly quoted amongst favourite films/top films of all time lists, so why did it fail to gain any traction? Producer Liz Glotzer has argued that the film didn’t achieve any word of mouth promotion due to people being unsure how to pronounce the title. It could also be argued that the title gives too much away, though it’s not as though it gives away the main details of the plot (we are looking at you The Assassination of Jesse James by the Coward Robert Ford (2007), the winner of the most spoilerific title of all time).

Things become even more confusing when we see what The Shawshank Redemption was up against at the Box Office. Opening on 23rd September 1994, other films that opened that day included It Runs in the Family, Shadows of Desire and Terminal Velocity. Not exactly bonafide classics. However, it is also worth noting that NBC’s beloved sitcom Friends debuted on the same date, drawing in some 22 million viewers for its pilot episode. Did this stop people going out to see the film on its opening night?

The film is similar to It’s A Wonderful Life in that it became more popular after its original cinematic run, and TV circulation and word of mouth in recent years has seen the film become the classic we know it as today, but exactly why The Shawshank Redemption underperformed on its initial run will always be a point of cinematic speculation.

1 – Fight Club (1999)

Director: David Fincher

Starring: Brad Pitt, Edward Norton, Helena Bohem Carter

the_coolest_inside_facts_about_22David Fincher’s cult classic Fight Club, based on the Chuck Palahniuk novel of the same name, made only $37 million on a $63 million budget. The film came out four years after his critically acclaimed and financially successful Se7en (1994), which also starred Brad Pitt in a main role. However, Fincher followed up the film with The Game (1997) starring Michael Douglas and Sean Penn, which was again critically successful but saw significantly less box office returns compared to Se7en.

Fight Club has gone on to achieve cult status due to the fact that it was hugely successful when released on DVD, selling over 6 million copies and making its money back in that way. Whilst the film is now regarded as a modern classic, it was extremely divisive amongst critics upon its initial release. The films depiction of violence and counterculture led to criticisms from some critics, including Roger Ebert who said years later that it was “beloved by many, not by me.”

Another issue came in the marketing. Fincher reportedly had very specific ideas about how he wanted to market the film, but executives at 20th Century Fox didn’t like the film when they viewed it. The company were unsure of how to sell a film that is so openly critical of consumerism. The films release was delayed several times, and the film eventually came out after the Columbine High School Massacre, meaning that audiences were arguably much less open to a film with such graphic violence at its core. Brad Pitt was undoubtedly the most bankable star in the film, but Fincher refused to have him as the focus of the marketing campaign for fear of misrepresentation, and the lacklustre campaign is arguably the biggest factor in Fight Club’s poor box office performance.

The film was without a doubt one of the most talked about the of the year, and the controversy that surrounded its violent nature is arguably what made it successful in DVD sales, meaning it was not a total failure.

Which films do you think are great in spite of a less than stellar box office performance? Let me know in the comments section!