Film, List, Opinion

2015 IN FILM

Looking back on an amazing year in cinema. 

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The end of the year is almost upon us – and what a year it has been for cinema. My Cineworld Unlimited card was put to good use over the past twelve months and I managed to cram in an impressive number of viewings. Whilst there have been a few disappointments along the way, there were also plenty of high points, and even a couple of masterpieces. I have compiled here my top five films of the year – no easy task – with a few honourable mentions for good measure. Let me know what your cinematic highlights were in the comments section!

TOP 5:

BROOKLYN

Director: John Crowley

Starring: Saoirse Ronan, Emory Cohen, Domnhall Gleeson

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It feels like every year cinema is getting bigger and as the MCU and other superhero worlds dominate the box office the human element can be left behind. Richard Linklater reminded us of the extraordinary power of the ordinary with Boyhood last year, and John Crowley has followed suit with Brooklyn – based on the novel of the same name by Colm Toíbín – adding a period setting for good measure. Brooklyn is an understated masterpiece, blending gorgeous visuals with a simple and powerful story, alleviated to near perfect status by the incredibly apt casting  – Ronan has been scooping awards for her central role, and oscar glory is well within reach come February.

On a more personal level, Brooklyn resonated with me much more than I expected it to. The film is about a girl close to my age being torn between her desire to be home with her family and to forge a new life in America, a common struggle that transcends time. Brooklyn is a welcome reminder that a film doesn’t have to have superheroes or CGI to impress.

Read my review of Brooklyn here.

ME, EARL AND THE DYING GIRL

Director: Alfronso Gomez-Rejon

Starring: Thomas Mann, Olivia Cooke, RJ Cyler, Nick Offerman

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Anticool

After the smash hit success of The Fault in our Stars last year, another John Green adaption was a safe bet, and sure enough Paper Towns came along this summer. The film was marketed on Cara Delevingne, who was mostly absent from the largely forgettable flick. However, the genre had some life breathed back into it by Alfronso Gomez-Rejon, who took a script from Jess Andrews (author of the book of the same name) and came up with Me, Earl and the Dying Girl, a film that avoided cliche whilst still packing an emotional punch.

I was not initially hopeful  – the marketing made the film look like a quirky Fault in our Stars rip-off – but it stood out due to its rarely static camera work and the incredibly funny script – it reminded me of 50/50 (2011) in that it manages to be a film about cancer that is funny without being crude. Add this to strong leads, a brilliant supporting turn from Nick Offerman and an incredible soundtrack (which I discussed here), and you have one of the most memorable films of the year.

LEGEND

Director: Brian Helgeland

Starring: Tom Hardy, Emily Browning, Taron Egerton, Christopher Eccleston

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Trailer Addict

Based on The Profession of Violence by John Pearson, Brian Helgeland takes on the Krays in his biopic, which sees Tom Hardy in the dual role of Reggie and Ronnie. The gangster genre is overcrowded, so its hard to nail the genre in a way that stands out, but the Krays are hugely interesting source material and this film is worth seeing, if only for the technical wizardry of seeing Tom Hardy fight himself.

Legend is not without faults – Emily Browning’s character Frances is used as a narrative device to get to the story of the twins and is criminally underwritten as a result – but it still stands out as one of my favourite films of the year. Mixing the funny with the violent, Legend brings a distinct sense of Britishness to the gangster genre, and is all the better for it.

STEVE JOBS

Director: Danny Boyle

Starring: Michael Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels

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There is a good chance that audiences – particularly those in the US – are getting Steve Jobs fatigue. Since the Apple founder and CEO passed away in 2011 there has been a slew of material on the man, but it would be foolish to pass on this latest effort from Danny Boyle, with a script by Aaron Sorkin.

With a theatre-like three act structure, Steve Jobs is a far cry from the done -to-death biopic structure, and Sorkin’s razor sharp script blends perfectly with Boyle’s unique eye for visuals, and Fassbender manages to inhibit the character despite not physically resembling him. It’s Fassbender’s film through and through – as the title would suggest, he is the focal point of the entire film – but he is surrounded by a stellar supporting cast with Seth Rogen, Jeff Daniels and Kate Winslet all providing fantastic turns in their own right.

Read my review of Steve Jobs here.

KURT COBAIN: MONTAGE OF HECK 

Directed: Brett Morgen

Starring: Kurt Cobain

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Since his suicide in 1994 Kurt Cobain has been somewhat of an enigma, the voice of dissatisfied youth, and the wealth of unauthorised material produced on the man did little to dispel any of the myths that arose. However, Brett Morgen’s documentary – the first to be done with the agreement and co-operation of Cobain’s family – cuts through the cultural obsession to look at the man. Morgen stated in an interview that the film aimed to:

“….present an American icon – a revered American icon – in a completely naked and honest manner. Without tearing him down and without building him up, but where we can look him in the eye.”

Blending animated segments with interviews, Montage of Heck is a welcome departure from the typical over reliance on talking heads in documentaries, and is without a doubt the definitive account of who Cobain was. The only thing missing is an interview with Dave Grohl, as a member of Nirvana he seems like a crucial person to talk to about that period in Cobain’s life, and his presence is missed.

Whilst it is at times unsettling to see how deep-set his issues were, and knowing what happened to him makes it all the more upsetting,  Montage of Heck is essential viewing for Nirvana fans, and an enjoyable watch regardless.

RUNNER UPS:

DOPE 

Dope manages to be a crime caper, a comedy, a drama and a coming of age story all rolled into one excellent script. Rick Famuyiwa’s film tells the story of Malcom, Jib and Diggy, three geeks obsessed with 1990s culture who accidentally end up with a rucksack full of MDMA. The lead performances are fantastic and A$AP Rocky even shows up for a supporting role. The film is one that is designed to make you think about the role stereotypes continue to play in society, and it will stay with you long after the credits roll.

MISTRESS AMERICA

Director Noah Baumbach and star Greta Gerwig, who penned the script together, are at their best in Mistress America, a screwball comedy that allows Gerwig to shine. Their collaboration, which worked so well in Frances Ha (2012) has been honed to perfection here, and the film is full to  the brim with laughs, as well as raising some interesting questions about the self obsession in the age of technology.

SUFFRAGETTE 

Undoubtedly one of the most important films of the year, it’s hard to believe UK women’s  fight for the vote had not already been committed to the screen. Starring Carey Mulligan and Helena Bohem Carter, with an appearance from the ever-fantastic Meryl Streep, Suffragette is a fantastic period drama made all the more emotive by the fact that it is based on true events.

MOST PROGRESSIVE: 

SPY/MAD MAX:FURY ROAD

It would be madness not to include Mad Max: Fury Road in talks about progressive depictions in cinema, but I have not yet seen it, so alas my comments cannot extend much further than acknowledgement of what is by all accounts an incredible film.

However, I genuinely believe in years to come Paul Feig’s Spy could be looked back upon as a landmark in comedy. Spy is a sign of progress – perhaps the most notable since Bridesmaids (2011) – with women who are capable, independent and not used as the butt of jokes. The film turns everything that is so awful about James Bond on its head – here we have men that are inept, being helped along by badass women (not a damsel in distress in sight) – and it’s about time.

It seems real change is finally on the horizon, and as ridiculous as it is that it is only the case in 2015, that can only be a good thing. Misogynists need not worry too much – Spectre brought the already questionable James Bond back a few steps in the progressive stakes (read more on that here). You win some, you lose some I guess.

BIGGEST LETDOWN:

KILL YOUR FRIENDS 

Based on John Niven’s (who also penned the script) novel of the same name, Kill Your Friends had the potential to be the British American Psycho (2000), but turned out to be a hollow disappointment. Despite the best efforts of the cast, led by an appropriately stoney Nicholas Hoult, the script feels empty and you’ll be hard pressed to remember the film long after viewing.

Read my review of Kill Your Friends here.

BEST ANIMATION:

INSIDE OUT 

A true return to form for Pixar, Inside Out shows the studio do what they do best – blending beautiful animation with innovative storytelling that tackles big themes in a way that is accessible to all ages. The casting is incredibly well sourced – Phyllis Smith was born to voice sadness – and the timeless concept is one that has already solidified Inside Out as a modern animated classic.

WEIRDEST:

THE LOBSTER 

The english language debut of Greek director Yorgos Lanthinmos, The Lobster is without a doubt the most unique film of the year. A hilariously deadpan story about a hotel where single people go and if they fail to find a partner in 45 days, they a turned into an animal. The film satirises social constructs in a hilarious manner, and whilst there is no doubt that it won’t appeal to everyone, I found the film to be one of the funniest I saw all year.

OTHER HIGHLIGHTS:

Not forgetting Macbeth, Ant Man, Trainwreck, Ex Machina, The Martian, Man Up, Mr Holmes, Danny Collins, Jurassic World, Irrational Man and so many more…


 

I’ve shared this video before, but it’s so good that I’m going to share it again. Ben Zuk created a 2015 Salute to Cinema on Vimeo, incorporating 164 movies into a wonderful montage that reminds us just how great movies can be. Enjoy!

 


<p><a href=”https://vimeo.com/147217969″>2015 Salute to Cinema</a> from <a href=”https://vimeo.com/benzuk”>Ben Zuk</a> on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>

What was your favourite film of 2015? Let me know in the comments section below!

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Film, Lists, Opinion

OSCARS 2016: ACTING NOMINEE PREDICTIONS:

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The Oscar race is well and truly underway, and movie fans are now being treated to some of the best that cinema has to offer between now and February 28th next year. The acting nominations are among the big hitters in terms of Academy Awards, and the Academy are going to have some extremely tough decisions on their hands next year in that area. Bearing in mind that the I have not seen a great deal of these films, I have compiled my current predictions for who will be nominated in the four big acting categories – Best Actor, Best Actress, Best Supporting Actor and Best Supporting Actress.

BEST ACTOR:

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THE FIVE:

  • Johnny Depp, Black Mass
  • Eddie Redmayne, The Danish Girl
  • Leonardo DiCaprio, The Revenant
  • Michael Fassbender, Steve Jobs
  • Tom Hanks, Bridge of Spies

WILDCARDS:

  • Tom Hardy, Legend
  • Ian McKellan, Mr. Holmes

This is an extremely strong category this year, and certainly the category that everyone will be talking about. The Academy are a big fan of a truse story, and this is very much looking like its going to be the main trend in the Best Actor nominations this year. Johnny Depp is already making waves for his performance of real-life gangster Whitey Bulger in Black Mass, which is out on Friday here in the UK. Depp has been accused with going for quirk over content in the past few years, and this has been lauded as a real return to form. Even just looking at the trailer, it is clearly a totally transformative role, and whilst the gangster genre is a hard one to nail I don’t think there are going to be many criticisms of Depp’s performance, making him a real contender for Best Actor.

Eddie Redmayne won in this category last year for his excellent turn as Stephen Hawking in The Theory of Everything, which was above all a real feat in physical acting. It could be two in a row for the British actor with Tom Hooper’s The Danish Girl seeing him take on the role of Lile Elbe, the first ever person to undertake gender reassignment surgery. This film has the Academy written all over it, and Redmayne stands a real chance at becoming only the third actor (after Spencer Tracy and Tom Hanks) to bring home the statue two years in a row.

Leonardo-DiCaprio-Oscar-2014Leonardo DiCaprio is being heavily tipped to finally get his Oscar with The Revenant. Directed by Alejandro Gonzalez Inarritu, the man behind last year’s Acadamy success story Birdman, the film tells the story of Hugh Glass, a man who survived being mauled by a bear in 1820’s Dakota Territory. The film is already expected to be a technical masterpiece, but will it also bring DiCaprio his fifth nomination? You have to root for him really, if they don’t give him an award soon they are going to end up giving him one for a mediocre film in years to come when they finally realise he was overlooked (a la Al Pacino in Scent of a Woman). The downside of a DiCaprio win? There won’t be anymore of those hilarious GIFs spreading across the internet (sorry Leo).

Steve Jobs wasn’t as much of a commercial success in the US as expected, but this shouldn’t affect Michael Fassbender’s chances of nabbing a nomination as the Apple founder and CEO Steve Jobs in Danny Boyle’s film of the same name. What he lacked in physical resemblance he more than made up for in nailing the complexity of Jobs’ character in a real warts-and-all fashion. He probably won’t win, but a nomination is surely on the horizon.

I am yet to see Bridge of Spies, but there is pretty much no doubt in anyone’s mind that: a) it will be great; b) it will be nominated for a lot of awards. It has some of the best talent in Hollywood behind it after all, with Steven Spielberg in the director’s chair, the Cohen Brothers with writing credits, and Tom Hanks in the lead role.  If that’s not a recipe for awards gold I don’t know what is, and I think Hanks is all but guaranteed a nomination. He has been nominated five times before, winning twice in the early 90’s for Philadelphia and Forrest Gump, and Bridge of Spies ticks a lot of Academy friendly boxes, but with such a strong Best Actor category this year anything could happen.

PicMonkey CollageDue to such a strong category, there are a few performances that have an outside chance of getting a nomination. I haven’t totally ruled out Matt Damon in The Martian – a great performance from a very popular actor. The Academy does appear to take commercial success into account in some cases – could we see Damon toppling Fassbender if they base it on the Box Office?  Tom Hardy in Legend could be in with an outside chance, though it would seem the odds may be stacked against his heavyweight performance. Hardy took on the double role of the Kray twins, but I think if it came to an Academy nomination his more restrained turn as Reggie could be in with a chance. Legend is another example of the busy and difficult gangster genre, and its very distinct sense of Britishness could see it remain on the outskirts come the Oscars. Sir Ian McKellan also delivered an excellent performance as an ageing Sherlock Holmes in Mr.Holmes, though the films early release date and understated nature could see it getting overlooked in a very flashy category.

BEST ACTRESS:

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THE FIVE:

  • Jennifer Lawrence, Joy
  • Saorise Ronan, Brooklyn
  • Cate Blanchett, Carol
  • Carey Mulligan, Suffragette
  • Maggie Smith, The Lady in the Van

WILDCARDS:

  • Meryl Streep, Ricki and the Flash
  • Melissa McCarthy, Spy

Best Actress is a great category this year, with a range of excellent performances to choose from. Jennifer Lawrence has just become the highest paid actress in the world, and she has also been nominated two years in a row, winning in 2014 for Silver Lining’s Playbook, and her hot streak looks set to continue with her latest Oscar effort, Joy. Joy sees her reunite for a third time with director David O Russell to chart the life of Joy Mangano, inventor of the Miracle Mop. The film isn’t out yet but Lawrence is almost guaranteed to make it a hat trick with a third nomination.

Brooklyn has been receiving excellent reviews, with the majority of the praise being aimed at the performance of Saoirse Ronan, who plays the lead role of an Irish girl who emigrates to America. The film is an understated masterpiece, and Ronan deserves all the praise she can get for her work, making this nomination another pretty safe bet. The Irish actress was nominated in the supporting actress back in 2007 for Atonement, aged just 13 at the time, and her transition into adult roles is awards-worthy indeed.

Cate Blanchett is one of those actresses that is so consistently good that it is almost taken for granted. She is being heavily tipped for a nomination for her role as the titular Carol, in the film based on Patricia Highsmith’s novel. She is already a six time nominee and two time winner – winning in the Supporting Actress category for The Aviator in 2004, and bagging Best Actress for her sensational turn in Woody Allen’s Blue Jasmine in 2013. Carol is out in the UK on Friday, but Blanchett’s impressive CV already suggest that she will be a main contender come February.

Suffragette is the kind of film I’m surprised hasn’t been made before now – a look at the struggle in the UK as women fought for the vote. It featured an excellent cast, including Helena Bohem Carter and Meryl Streep (in hardly more than a cameo, granted), but at the heart of it all was Carey Mulligan, who plays a young working class wife and mother that gets swept up by the cause.  It’s going to be a tough category this year, but I think Mulligan has a real chance at being nominated in this undeniably important film.

The Academy, or perhaps Hollywood as a whole, can be a real ageist old bunch, but I still think that Dame Maggie Smith is a real contender this year for her fantastic turn in The Lady in the Van. It’s like Suffragette in that it’s all very British, but it has a charm that will still be felt across the pond. This isn’t as strong a contender as the others, but that is not down to the acting in any way. Smith is tremendous, bringing her huge talent and underrated comic timing to the fore.

PicMonkey Collage5This is another extremely strong category, but it has been an big year for strong female performances and there are a few excellent ones that might nab an unexpected nomination. Ricki and the Flash was a really bad movie, but the Academy (along with the world) love its star, Meryl Streep (NINETEEN nominations, more than anyone else ever), and she has been nominated for less than stellar films before with August: Osage County, so don’t count her out of the running just yet. The Academy has never been particularly rewarding of comedy, so it would be a surprise to see the nonetheless deserving Melissa McCarthy or Amy Schumer bag nominations for Spy and Trainwreck respectively. Never say never though – McCarthy in particular is becoming a real Hollywood success story, and Spy was a fantastic revamp of both the dated spy format and spoof genre, so a surprise nomination is not totally out of the question. She was also nominated in the Supporting Actress category for her equally hilarious turn in 2011’s Bridesmaids, showing that even the Academy can’t turn its nose up at truly excellent comedy.

BEST SUPPORTING ACTRESS:

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THE FIVE:

  • Rooney Mara, Carol
  • Alicia Vinakaner, The Danish Girl
  • Kate Winslet, Steve Jobs
  • Marion Cotillard, Macbeth
  • Jane Fonda, Youth

WILDCARDS:

  • Jennifer Jason Leigh, The Hateful Eight
  • Julie Walter, Brooklyn

PicMonkey Collage6Rooney Mara is making real waves for her performance in Carol alongside Cate Blanchett. With Blanchett being the stalwart that she is, it is no small praise that Mara apparently matches the leads talent in the film about a love between two women. She was nominated in the Best Actress category in 2011 for David Fincher’s The Girl With the Dragon Tattoo, but lost out to Natalie Portman in Black Swan. This could be Mara’s year, with Carol receiving critical adoration that looks set to carry the film through to a successful awards season.

This post has already detailed the fact that The Danish Girl is serious awards bait, and Alicia Vinakaner looks set to be a real contender in the Supporting Actress category. She plays the wife of Eddie Redmayne’s character and it is sure to be a very engaging and complex role. It’s the type of thing that the Academy eats up and a non-nomination for Vinakaner would be a shocking game changer.

Kate Winslet looks like the only other chance Steve Jobs’ has in terms of acting nominations. Whilst the film boasts excellent performances from the likes of Seth Rogen and Jeff Daniels, they are arguably not prominent enough to be real contenders in the Supporting Actor category. Winslet is on excellent form as Jobs’ assistant and confidant Joanna Hoffman, providing a voice of reason to the visionaries tunnel vision. No stranger to the Academy – in 2008 she won Best Actress for The Reader, and in the process became the youngest actress to receive six nominations (aged 33), and it is looking relatively likely that she will bring it up to seven next year.

Macbeth was a stunning film. The refusal to deviate from the original Shakespearian script did of course make it quite hard to follow, but it still received significant attention from critics, and rightly so. French actress Marion Cotillard was an excellent Lady Macbeth, matching Michael Fassbender’s performance as the murderous king to a tee. Fassbender was excellent as Macbeth but his nomination for Steve Jobs is a much surer bet, and it is difficult to decide if Cotillard would fall into lead or supporting role. I think it is more likely that, if nominated, it will be in Supporting Actress. This one is 50/50 however, as there is a good chance that her excellent performance may go overlooked.

I haven’t seen Youth, the drama starring British acting legend Michael Caine, but I have heard nothing but good things. One of the main points of praise has been Jane Fonda’s supporting role, and I think there is a fair chance that she, an American legend herself, could be appearing on the list of nominees. She has been nominated seven times before, winning twice in the 1970’s, and it would be great to see her make a return to the Academy with her first nomination since 1986.

Supporting roles are a harder category to define in general, and it is therefore harder to pinpoint who might be heading for nomination – a role too big and it might not make the supporting category but also be too small for the main award, too small and it can’t justify a nomination. I believe (and hope) that Julie Walters may still be in with a chance for her small role in Brooklyn, where she provided the film with a whole lot of heart and some sweet comic relief. However, it does run the significant risk of being too small of a role, so I won’t be holding my breath over this one too much. Jennifer Jason Leigh could make a surprise nomination for her role in Quentin Tarantino’s upcoming western, The Hateful Eight. She is the only woman amidst the titular eight, and with a crowded primary cast it is still yet to be seen how prominent of a role she will really play, so this one is still very much up in the air. It’s also worth noting that the Academy have been proven to be uncomfortable with Tarantino’s particular brand of gloriously violent film-making, with his 1994 masterpiece Pulp Fiction failing to win Best Picture, which doesn’t bode well for Jason Leigh bagging a nomination.

BEST SUPPORTING ACTOR:

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THE FIVE:

  • Tom Hardy, The Revenant
  • Robert DeNiro, Joy
  • Bradley Cooper, Joy
  • Benicio Del Toro, Sicario
  • Mark Ruffalo, Spotlight

WILDCARDS:

  • Joel Edgerton, Black Mass
  • Sylvester Stallone, Creed

Tom Hardy is in with much more of a chance at a supporting nomination for his role in The Revenant. Hardy is known for his massive commitment to his roles, and it is sure to payoff in a film of such intense nature.

David O Russell really loves the Jennifer Lawrence/Robert DeNiro/Bradley Cooper trio, and the Academy seems to also. Both DeNiro and Cooper are set to appear in Joy, and if the past is anything to go by they are probably both in with a pretty decent chance of nomination. DeNiro is a Hollywood heavyweight, having appeared in some of the best films ever made, and now has the sort of untouchable appeal that is also held by the likes of Meryl Streep, whilst Cooper has been nominated the past three years in a row and, like Lawrence, is on a hot streak that is showing no signs of ending anytime soon.

Benicio Del Toro has received high praise for his role in the tense cartel thriller Sicario, and it looks like he may bag himself a nomination. He won an Oscar back in 2000 for his role in Traffic, which was also a crime thriller, and the genre seems to be the actors forte.

Spotlight recieved a limited release in the US earlier this month and has already been met with critical acclaim. It has an ensemble cast with no clear lead, but Mark Ruffalo has been singled out by several critics as one of the films many highlights. Ruffalo has been nominated twice before, and also just seems like such a nice guy that I think he has pretty strong chances.

PicMonkey Collage7It’s a hard one to call, but Joel Edgerton may be in with a chance for his role in Black Mass. The actor has made an impression this year with his directorial debut in The Gift, where he also showcased his impressive acting prowess. Whether he will manage a nomination from what the trailers are making to look like very much Depp’s film is yet to be seen. Spotlight is also getting a great deal of attention, and Michael Keaton may get a nomination in his role after missing out on Best Actor to Eddie Redmayne last year. He was nominated for his spectacular lead in Birdman, so could he get a consolation supporting nomination this year? The Rocky franchise, which was put to bed in 2006 with Rocky Balboa, is being passed over to Michael Jordan with Creed, which will see Sylvester Stallone once again return to his iconic role as the now ageing boxer. It’s yet to be released in the UK, and seems unlikely to be awards bait, but the trailers are suggesting a potentially upsetting ‘Rocky’s sick’ storyline which may bring Stallone into unexpectedly the running with an outside chance.

So there you have it, my predictions for the 2016 acting nominees! Here is a playlist with all of the trailers that have been mentioned in the prediction lists, check them out and let me know what you think in the comments section!:

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Film, Opinion

THE RISE OF FEMALE FRONTED COMEDY:

 2011 was hailed as the year of change for women in comedy. With the release of smash hit Bridesmaids, which made over $287 million worldwide, it seemed that Hollywood was finally taking note regarding the depiction of female characters in comedy. For years women have been sidelined in the genre, usually appearing as one-note depictions or romantic interests to further the agenda of male characters, and it seemed as though the tide was finally turning.

Funnily enough, it’s taken a further four years for this change to really come to the fore, with 2015 seeing a string of mainstream female fronted comedies proving to be hugely successful. Spy and Pitch Perfect 2 are particularly lucrative examples, bagging well over $200 million each at the worldwide box office. Other films such as Hot Pursuit were of more dubious quality, but it is still great to see attempts being made to shake up the status quo. Then of course there was Amy Schumer shaking up the tired rom-com format with Trainwreck. It is also worth noting that the more typical male driven comedies of the year have been much less successful than Spy and Pitch Perfect 2 – Kevin Hart’s vehicles Get Hard and The Wedding Ringer were average performers, whilst Entourage and Hot Tub Time Machine 2 underwhelmed both critics and the box office.

There are some exciting prospects on the horizon, with Amy Pheloer and Tina Fey coming together for Sisters at the end of the year, an all female Ghostbusters on the horizon and a female driven comedy by the writers of the hilarious Broad City. Whilst there is certainly room for more diversity, with Sofia Vegara of Modern Family fame being one of the few ethnic stars to appear in any of the years comedies, these are all steps in the right direction.

 What is so notable about these films is its depiction of women as fully rounded, human characters. Films such as Feig’s The Heat (2013) and Spy are taking movie scenarios so typically inhabited by men and putting women at the helm. Spy is perhaps the best example, providing a hilarious yet empowering take on the tired spy format. These are all films that pass the Bechdel Test – which requires females to have a conversation not to do with men at some point in a film. This is a positive step away from the Sex and the City style chick flicks of the early 2000s, as whilst there is nothing inherently wrong with those sorts of films, they should not be the only way women are depicted in female-centric cinema.

This could finally signify a change that has been a long time in the coming. Dubbed the Bridesmaids Effect, we are finally seeing female driven comedies take their rightful place in the mainstream. Paul Fieg, a director who is deemed to be a part of this revolution for his work with Melissa McCarthy, has said: “it’s an amazing sign of progress, but it feels a little silly to be celebrating it. It’s good, but it’s not enough. And this should have happened years and years and years ago.”

 This is an interesting and wholeheartedly valid point – the fact that this is a big deal in 2015 is frankly ridiculous, and it’s still too early to tell if it is a permeanant development. It’s an area that has certainly seen a few false starts. Geena Davis – who made the news recently when she spoke out to highlight gender inequality in Hollywood – appeared to be kick starting a revolution back in the early 90’s with Thelma and Louise and A League of Their Own, so why has it taken another 20 years for the trend to take hold?

Quite simply, like everything in Hollywood it comes down to money. Before Bridesmaids there was nothing to convince studio executives that people would pay to see these kinds of movies. For far too long Hollywood has catered mostly for the teenage male, meaning that women are generally depicted within the limited guise of male fantasy. Whilst this trend in comedy suggests change may be on the horizon, the battle is far from over. We are yet to see a female led comic book movie from either Marvel or DC, and though there are ones in the horizon the balance is way off. Hopefully the financial and critical success of these comedies will help pave the way for progress in other genres too.

Here is Sofia Vergara and Reese Witherspoon discussing female comedy when they were promoting Hot Pursuit – whilst the film was only average you can’t fault this duos talent!:

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